!!!Ordensdrama
Instructional Religious Plays, instructional drama of the Catholic
orders from the 16%%sup th/% to the 18%%sup th/% century,
cultivated in Austria from the time the Jesuits were called to the
country (Jesuit drama) and soon adopted by other orders, such as the
Benedictines (Salzburg, Kremsmuenster), the Piarists (Krems, Horn),
the Cistercians (Heiligenkreuz), and the Schotten in Vienna. The
"Ratio studiorum" of 1599 made instructional religious plays
serving the cause of the Counter-Reformation obligatory for every
Jesuit school. The plays were written in Latin, and the lay-people
watching were given programmes containing a synopsis of the story in
German ("Periochae"). The performances served both
proselytising purposes and as oratorical training for the students.
The subject matter was taken from the Bible as well as from legends of
the saints and martyrs. Powerful and moving scenes of martyrs and
their sufferings, staged effectively in increasingly lavish
productions, were meant to shock the audience and convert them to the
true faith. This development reached its climax in "Ludi
Caesarei" by N. Avancini, pieces from Southern Tyrol glorifying
the house of Habsburg. In order to compete with Opera, the plays were
increasingly interspersed with musical interludes by acclaimed local
composers, as well as with popular traditional songs. The most
important writer of instructional religious plays in the late Baroque
was the Silesian J. B. Adolph, who also used songs in Viennese
dialect in his interludes.
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Benedictine religious drama refrained from the use of excessive
didacticism and favoured comic interludes with popular appeal in the
vernacular ( Vernacular Literature); the rustic characters were later
adopted by the Altwiener Volkstheater. The most important author was
the Benedictine S. Rettenpacher of Salzburg; the transition to the
drama of the Enlightenment was achieved by M. Lindemayr of Lambach
Monastery, with his comedies in Upper Austrian dialect.
!Literature
K. Adel, Das Jesuitendrama in Oesterreich, 1957;
E. M. Szarota, Das Jesuitendrama im deutschen Sprachgebiet, 3
vols., 1979-1987; R. Wimmer, Jesuitentheater, 1982; J.-M. Valentin, Le
Theâtre des Jesuites dans les pays de langue allemande,
1983/1984 (Bibliography).
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