!!!Realismus
Realism, in literature and the arts, a style which aims at a detailed
depiction of reality and dispenses with idealist glorification of the
subject. Realism is characterised by a largely objective, unbiased way
of looking at the world and by openness and tolerance. In literature,
realism prevailed in the period between roughly 1850 to 1885; in a
narrower sense, historians of German-language literature speak of
"poetic realism" on account of the predominance of a distanced and
detached narrative style. The leading Austrian representatives of
realism in literature are M. von Ebner-Eschenbach ("Das
Gemeindekind", 1887) and F. von Saar ("Novellen aus
Oesterreich", 1876), whose works present a trenchant picture of
Austrian society at the end of the 19th century. The transition to
naturalist prose is marked by the peasant novels of Anzengruber
("Der Sternsteinhof", 1885). The late novels by A. Stifter
("Witiko", 1865-1867), command a special place in realist
literature in that their programme (the "sanftes Gesetz" -
the "gentle law") hails from the author's classic-idealist stance. In
the context of the literary discovery of the rural scene special
interest attaches to Heimat literature and Vernacular Literature, in
particular the works of P. Rosegger. Some German representatives of
realism like F. Hebbel and H. Laube temporarily lived and worked in
Austria. In Naturalism the truthfulness of realism gave way to a
tendency to copy reality.
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Further representatives: A. Christen, W. Fischer, K. E.
Franzos, Maria E. delle Grazie, C. Karlweis, B. Paoli, A. Pichler,
L. Sacher-Masoch, B. von Suttner; further, the critics and
feuilletonists F. Kuernberger, E. Hanslick, T. Herzl, A. Kuh and
D. Spitzer.
!Literature
S. Kohl, R. Theorie und Geschichte, 1977; K. Rossbacher,
Literatur und Liberalismus, 1992.
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