[{WikipediaArticle oldid='223845954'}]

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!!!License Information of Images on page
||Image Description||Credit||Artist||License Name||File
| Cropped version of the full portrait, showing the "jags" (i.e., cuts) in the body and sleeves of the doublet, through which "puffs" of the shirt have been pulled.| eAHC0d0WiemXSA — Google Arts & Culture| Nach Hans Holbein der Jüngere| [{Image src='https://www.austria-forum.org/cc/images/slim/publicdomain.png' alt='Public domain' align='center' link='https://www.austria-forum.org/cc/public-domain-10.html' target='_blank'}]| Datei:After Hans Holbein the Younger - Portrait of Henry VIII - Google Art Project.jpg
| Porträt der Königin Maria von England| The Yorck Project (2002) 10.000 Meisterwerke der Malerei (DVD-ROM), distributed by DIRECTMEDIA Publishing GmbH. ISBN : 3936122202 .| Anthonis Mor| [{Image src='https://www.austria-forum.org/cc/images/slim/publicdomain.png' alt='Public domain' align='center' link='https://www.austria-forum.org/cc/public-domain-10.html' target='_blank'}]| Datei:Anthonis Mor 001.jpg
| Porträt der Katharina von Aragon (1485-1536), first Ehefrau von Heinrich VIII. (1491-1547).| NPG| Autor/-in unbekannt Unknown author , probably derives from an original portrait type associated with Joannes Corvus 1| [{Image src='https://www.austria-forum.org/cc/images/slim/publicdomain.png' alt='Public domain' align='center' link='https://www.austria-forum.org/cc/public-domain-10.html' target='_blank'}]| Datei:Catalina de Aragón, por un artista anónimo.jpg
| Coat of Arms of the Kingdom of England from 1554 to 1558 used by Queen Mary I| Eigenes Werk| Sodacan| [{Image src='https://www.austria-forum.org/cc/images/slim/by-sa.png' alt='CC BY-SA 3.0' align='center' link='https://www.austria-forum.org/cc/by-sa-30.html' target='_blank'}]| Datei:Coat of Arms of England (1554-1558).svg
| The Wikimedia Commons logo, SVG version.| Original created by Reidab ( PNG version ) SVG version was created by Grunt and cleaned up by 3247 . Re-creation with SVG geometry features by Pumbaa , using a proper partial circle and SVG geometry features. (Former versions used to be slightly warped.)| Reidab , Grunt , 3247 , Pumbaa| [{Image src='https://www.austria-forum.org/cc/images/slim/by-sa.png' alt='CC BY-SA 3.0' align='center' link='https://www.austria-forum.org/cc/by-sa-30.html' target='_blank'}]| Datei:Commons-logo.svg
| | | | [{Image src='https://www.austria-forum.org/cc/images/slim/publicdomain.png' alt='Public domain' align='center' link='https://www.austria-forum.org/cc/public-domain-10.html' target='_blank'}]| Datei:Cranmer burning foxe.jpg
| Über dem Arm eine Almutia aus Fehfell , die Umrandung aus Verrücken, der Rest Fehwamme. Unter dem Chorgewand Ärmelabschlüsse aus einer Marderart, vielleicht Nerzfell .| ( Originaltext: www.meisterwerke-online.de ) von Eleazar ( Diskussion · Beiträge ) ursprünglich auf de.wikipedia hochgeladen (29. April 2008, 11:16). Der Dateiname war Der-kanonikus-stephan-gardiner.jpg .. Übertragen aus de.wikipedia nach Commons durch Ireas mithilfe des CommonsHelper .| Quentin Massys| [{Image src='https://www.austria-forum.org/cc/images/slim/publicdomain.png' alt='Public domain' align='center' link='https://www.austria-forum.org/cc/public-domain-10.html' target='_blank'}]| Datei:Der-kanonikus-stephan-gardiner.jpg
| | Scanned from tipped in color plate in Roy Strong, The English Icon: Elizabethan and Jacobean Portraiture , 1969, Routledge & Kegan Paul, London. Original in the Royal Collection.| Guillem Scrotes zugeschrieben| [{Image src='https://www.austria-forum.org/cc/images/slim/publicdomain.png' alt='Public domain' align='center' link='https://www.austria-forum.org/cc/public-domain-10.html' target='_blank'}]| Datei:Edward VI Scrots c1550.jpg
| | Budapest Museum of Fine Arts| Nach Sebastiano del Piombo| [{Image src='https://www.austria-forum.org/cc/images/slim/publicdomain.png' alt='Public domain' align='center' link='https://www.austria-forum.org/cc/public-domain-10.html' target='_blank'}]| Datei:El cardenal Reginald Pole, por Sebastiano del Piombo.jpg
| The inscription shows that the work was a gift for Francis Walsingham, to whose family its provenance can be traced. Along the bottom, it reads: "THE QUENE. TO. WALSINGHAM. THIS. TABLET. SENTE. MARKE. OF. HER. PEOPLES. AND HER. OWNE. CONTENTE". Inscription around the frame: "A FACE OF MUCHE NOBILLITYE LOE IN A LITLE ROOME. FOWR STATES WITH THEYR CONDITIONS HEARE SHADOWED IN. A SHOWE A FATHER MORE THEN VALYANT. A RARE AND VERTUOUS SOON. A ZEALUS DAUGHTER IN HER KIND WHAT ELS THE WORLD DOTH KNOWE. AND LAST OF ALL A VYRGIN QUEEN TO ENGLANDS JOY WE SEE SUCCESSYVELY TO HOLD THE RIGHT, AND VERTUES OF THE THREE". Mixing portraiture and allegory , the painting anachronistically shows Henry VIII, his three children, and Queen Mary's husband, Philip of Spain, alongside figures from mythology. Henry sits on his throne in the centre, with his son Edward, the future Edward VI, kneeling beside him receiving the sword of justice. Henry died in 1547, but on the left of the picture his daughter Mary is shown next to Philip, whom she didn't marry until 1554 when she was queen, with Mars, god of war, behind them, symbolising the wars they fought. Elizabeth, by contrast, stands on the right of the picture holding the hand of Peace, who treads the sword of discord underfoot, as Plenty attends with her cornucopia . Painted in Elizabeth's reign c . 1572, the picture stresses her legitimate descent from the Tudor dynasty and her role as a bringer of peace and prosperity to the realm. Owing to a similarity of style and composition with Lucas de Heere's Solomon and the Queen of Sheba (1559) and other works, the art historian Roy Strong has attributed the work to de Heere; the art scholar and curator Karen Hearn, however, regards the attribution as speculative. Another source for the composition may be the anachronistic (Queen Jane Seymour died shortly after giving birth to Prince Edward) group portrait The Family of Henry VIII ( c . 1545). Prototypes for the portraits have been detected in paintings by Holbein (Henry), Scrots (Edward), Mor (Mary and Philip), and, less confidently, Hilliard (Elizabeth). (Reference: Hearn, pp. 81–82.)| Karen Hearn, Dynasties , London: Tate, 1995, ISBN 1854371576 , p. 81.| Lucas de Heere zugeschrieben| [{Image src='https://www.austria-forum.org/cc/images/slim/publicdomain.png' alt='Public domain' align='center' link='https://www.austria-forum.org/cc/public-domain-10.html' target='_blank'}]| Datei:Family of Henry VIII, an Allegory of the Tudor Succession.png
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