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reform movements in the later Middle Ages and
early Renaissance, Jerome experienced a tremen-
dous thrust of popularity as a Christian Leitfigur,
the prototypical hermit and ascetic.61 The order
of Saint Jerome was established and pushed by
the foundation of the Eremiti di S. Girolamo
a Fiesole, supported later on by ample financial
support of Cosimo de’ Medici.62
The veneration of Saint Jerome in the Italian
Renaissance, in particular by scholars and juris-
prudents, is amply documented.63 Pope Eugene
IV massively supported the observant movement
and promoted the foundation of the Fiesole or-
der in 1441, initially under the rule of Saint Au-
gustine.64 During that time, Leonardo Salutati
was one of his closest administrators. When Leo-
nardo became bishop of Fiesole in 1450, he was
behind the monastery’s architectural and spirit-
ual expansion.65 The cult of Saint Jerome was in
fashion, not just in Fiesole. When Cardinal Guil-
laume d’Estouteville, one of the major diplomats
and global players at the papal court in the mid-
fifteenth century, commissioned a marble cibor-
ium and altar for Santa Maria Maggiore in Rome
in the early 1460s, the commission went to no
other than Mino da Fiesole.66 D’Estouteville was
made cardinal in 1439 by Eugene IV. Leonardo,
who entered the papal court that same year, must
have known him well.67 D’Estouteville, who ‘for
thirty seven years (…) was protector of the Or-
der of Saint Augustine’,68 commissioned from
Mino and his workshop a large-scale marble altar (1461–63) dedicated to Saint Jerome with a ser-
ies of reliefs depicting scenes of the life and mir-
acles of Saint Jerome: Jerome in his study, Jerome
chastening himself in the image of Christ Cruci-
fied, Jerome miraculously curing an injured lion,
and finally, a scene in which Jerome has a vision
(Fig. 11). The episode is from the pseudo-letters
Fig. 11: Mino da Fiesole, Saint Gerome altarpiece for Car-
dinal Guillaume d’Estouteville, relief panel with Saint
Augustine’s vision of Saint John the Baptist and Saint Je-
rome, 1461–1464, marble, Museo Nazionale Palazzo Vene-
zia, Rome.
The SaluTaTi Tomb in FieSole 163
61 Wiebel, Askese und Endlichkeitsdemut (cit. n. 59), p. 5, 33.
62 Ibid, p. 29. See also G. Raspini, Gli Eremi nella Diocesi di Fiesole, Fiesole 1981, pp. 8–14. In 1405 in the poor her-
mitage of Beato Carlo da Montegranelli, which had become a popular location of veneration, the Congregazione
degli Eremiti di San Girolamo a Fiesole was founded. Several decades later, Cosimo de’ Medici had a large convent
built in 1450 for the Hieronymites.
63 D. Russo, Saint Jérome en Italie. Étude d’Iconographie et de Spiritualité (XIIe – XVe siecle), Paris/Rome 1987.
64 Wiebel, Askese und Endlichkeitsdemut (cit. n. 59), p. 29.
65 For the relations of Pope Eugene IV and Leonardo Salutati with the observant movement of Fiesole see S. and J.
Horner, Walks in Florence, Florence 1884, 2 vols., vol. 2, p. 315.
66 Zuraw, The Sculpture of Mino da Fiesole (cit. n. 13), pp. 150–193, 621–649.
67 For Guillaume d’Estouteville see The Cardinals of the Holy Roman Church. Biographical Dictionary. http://www2.
fiu.edu/~mirandas/bios1439.htm (last accessed March 15, 2015).
68 Ibid.
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Buch Der Arkadenhof der Universität Wien und die Tradition der Gelehrtenmemoria in Europa"
Der Arkadenhof der Universität Wien und die Tradition der Gelehrtenmemoria in Europa
- Titel
- Der Arkadenhof der Universität Wien und die Tradition der Gelehrtenmemoria in Europa
- Herausgeber
- Ingeborg Schemper-Sparholz
- Martin Engel
- Andrea Mayr
- Julia Rüdiger
- Verlag
- Böhlau Verlag
- Ort
- WIEN · KÖLN · WEIMAR
- Datum
- 2018
- Sprache
- deutsch
- Lizenz
- CC BY 4.0
- ISBN
- 978-3-205-20147-2
- Abmessungen
- 18.5 x 26.0 cm
- Seiten
- 428
- Schlagwörter
- Scholars‘ monument, portrait sculpture, pantheon, hall of honour, university, Denkmal, Ehrenhalle, Memoria, Gelehrtenmemoria, Pantheon, Epitaph, Gelehrtenporträt, Büste, Historismus, Universität
- Kategorien
- Geschichte Chroniken