Seite - 260 - in Europäische Bild- und Buchkultur im 13. Jahrhundert

260 stElla panayotoVa mering textiles became increasingly common in the 1300s, but their development in the 1200s has gone largely unnoticed. An early example is a Crucifixion painted in Lower Saxony or Westphalia during the second quarter of the thirteenth cen- tury.49 Green is laid over yellow orpiment fabrics; orpiment and red lead are applied over grey fabrics (bone black mixed with lead white); purple draperies (ultramarine and organic red mixture) are shot through with a range of contrasting pigments: red lead, organic red, orpiment, red and brown earths (pl. 13). The Trinity Apocalypse is particularly rich in cangianti. Passages of verdigris and yellow ochre alternate and overlap creating a glowing pattern that would be repli- 49 Cambridge, Fitzwilliam Museum, Marlay cutting G. 1. Morgan / Panayotova, Catalogue (cit. n. 22), no. 73. pl. 13: Cangianti effects in Fitzwil- liam Museum, Marlay cutting G. 1 (a); photomicroscopy details of Cambridge, Trinity College, MS R.16.2, fols. 8v (b), 22r (c–d); Fitzwilliam Museum, MS 300, fol. 191v (e)