Seite - 81 - in Die Repräsentation der Habsburg-Lothringischen Dynastie in Musik, visuellen Medien und Architektur - 1618–1918
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The Absent Empress 81
father’s lap and Gisela leans upon his chair. The emperor’s arms extend around both
children in a protective embrace. Compared to typical family carte de visite portraits,
this photograph also suggests a lack: the missing mother. Franz Joseph’s wife, Empress
Elisabeth (Fig. 2), was physically absent from Vienna in 1861, treating her “affected
lungs” on the remote island of Madeira.3 This vague diagnosis and the choice of a
destination so distant as to prevent visits from her husband fueled rumors within
the Viennese court about the imperial couple’s marital strife and Elisabeth’s inability
to perform her duties as empress. Court member Archduchess Maria Theresa Anna
wrote, “One cannot get to the bottom of whether there is much or little wrong with
her, since so many versions of Dr. Skoda’s pronouncements are told.”4 The diaries of
Elisabeth’s mother-in-law, Archduchess Sophie, record her outrage with the empress,
who, in Sophie’s opinion, “was unmindful of her obligations and […] was only sham-
ming illness in order to escape winter and […] pursue her peculiar habits without
Figure 1: Ludwig Angerer, Emperor Franz Joseph
with Archduchess Gisela and Crown Prince
Rudolf, c. 1861, carte de visite. Figure 2: Ludwig Angerer, Empress Elisabeth,
1860, carte de visite.
Die Repräsentation der Habsburg-Lothringischen Dynastie in Musik, visuellen Medien und Architektur
1618–1918
Representing the Habsburg-Lorraine Dynasty in Music, Visual Media and Architecture
- Titel
- Die Repräsentation der Habsburg-Lothringischen Dynastie in Musik, visuellen Medien und Architektur
- Untertitel
- 1618–1918
- Herausgeber
- Werner Telesko
- Verlag
- Böhlau Verlag
- Ort
- Wien
- Datum
- 2017
- Sprache
- deutsch
- Lizenz
- CC BY 4.0
- ISBN
- 978-3-205-20507-4
- Abmessungen
- 17.0 x 24.0 cm
- Seiten
- 448
- Kategorien
- Geschichte Vor 1918