Seite - 183 - in Die Repräsentation der Habsburg-Lothringischen Dynastie in Musik, visuellen Medien und Architektur - 1618–1918

The Presentation of the Habsburg Dynasty in Bosnia and Herzegovina 183 identities that were close to the Regime. How weak, mutually exclusive, i. e. complex and variable, these identities were is best shown by the fact that all the monuments were removed after World War I. Translated by: Matea Kordić Endnotes 1 The material that was used for this paper largely refers to the research conducted for my doctoral dissertation Sculpture in Bosnia and Herzegovina during the Austro-Hungarian Rule 1878–1918 for doctoral studies in Art History at the Faculty of Philosophy at the University of Zagreb. 2 John R. Gillis, Memory and Identity. The History of a Relationship, in: Idem (Ed.), Commemora- tions. The Politics of National Identity, Princeton, New Jersey 1994, 3. 3 Eric J. Hobsbawm, Inventing Traditions, in: Idem/Terrence Ranger (Eds.), The Invention of Tradi- tion, Cambridge 2003, 1–15. 4 See: Robin Okey, Taming Balkan Nationalism. The Habsburg ‘Civilising Mission’ in Bosnia, 1878– 1914, New York 2007. 5 For an insight into more recent interpretations of the achievements of the Austro-Hungarian Rule in Bosnia and Herzegovina and of the colonial relation towards it, see: Clemens Ruthner/Diana Reynolds Cordileone/Ursula Reber/Detrez Raymond (Eds.), WechselWirkungen. Austria-Hungary, Bosnia- Herzegovina, and the Western Balkans, 1878–1918 (Austrian Culture, vol. 41), New York 2015. 6 Srećko M. Džaja, Bosna i Hercegovina u austrougarskom razdoblju (1878–1918); Inteligencija između tradicije i ideologije [Bosnia and Herzegovina in the Austro-Hungarian Period (1878–1918); Intelligentsia between Tradition and Ideology], Mostar-Zagreb 2002, 19–20. 7 For a short, but concise overview of the actions of the Austro-Hungarian Rule and the opposition by the local population, see: Noel Malcolm, Bosnia. A Short History, London 2002, 136–156. 8 Risto Besarović, Specifičnosti kulturnog razvitka u Bosni i Hercegovini 1878–1918 [Particularities of the Cultural Development in Bosnia and Herzegovina 1878–1918], in: Risto Besarović (Ed.), Iz kulturne i političke istorije Bosne i Hercegovine [From the Cultural and Political History of Bosnia and Herzegovina], Sarajevo 1966, 7. 9 Penelope Curtis, Sculpture 1900–1945, New York 1999, 37–73; Sergiusz Michalski, Public Mo- numents, London 1998, 7–77. 10 Risto Besarović, Akcija za podizanje spomenika Simi Milutinoviću u Sarajevu povodom stogodišnjice njegovog rođenja [The Campaign for Erecting a Monument to Sima Milutinović in Sarajevo in Honour of the Centenary of his Birth], in: Glasnik arhiva i društva arhivista [Herald of the Archives and the Association of Archivists] 20–21 (1980–1981), 115–139. 11 Prepiska u vezi sa zahtjevom 15 katoličkih građana iz Banjaluke da prikupljaju priloge za podizanje spomenika Ivanu Franji Jukiću u Banjaluci [The Correspondence on the Request of 15 Catholic Citizens from Banja Luka to Collect Contributions for the Erection of a Monument to Ivan Franjo Jukić in Banja Luka], in: Risto Besarović (Ed.), Kultura i umjetnost u Bosni i Hercegovini pod austrougarskom upravom (Arhiv Bosne i Hercegovine, Građa 4) [Cultural and Political History of Bosnia and Herzegovina under the Austro-Hungarian Governance (The Archives of Bosnia-Herzego- vina, Archive 4)], Sarajevo 1968, 252–262. 12 More on Kállay’s policy in Bosnia and Herzegovina in: Tomislav Kraljačić, Kalajev režim u Bosni i Hercegovini (1882–1903) [Kállay’s Regime in Bosnia and Herzegovina (1882–1903)], Sarajevo 1987; Okey, Taming Balkan (as note 4).