Seite - 427 - in Die Repräsentation der Habsburg-Lothringischen Dynastie in Musik, visuellen Medien und Architektur - 1618–1918

Autorenverzeichnis/Authors list 427 Anna Mader-Kratky, art historian, studied history of art, history and archaeology at the University of Vienna. She has worked at the Austrian Academy of Sciences (Commission for Art History, since 2013 IKM) since October 2002 and from 2005 within the research project “Die Wiener Hofburg 1705–1835”, since February 2014 as a project manager together with Hellmut Lorenz. Various expert reports and scientific advice for current building measures in the Hofburg complex (for Bundesdenkmalamt, Burghauptmannschaft Vienna, Office of the Austrian Federal President and Kunsthistorisches Museum) and publications on the architec- ture of Habsburg residences, imperial ceremonial and court life. Milan Pelc, art historian, wrote his university thesis on Martino Rota, an engraver from the 16th century. From 1996–1998 he carried out research work for the exhibition Prints after Giulio Clovio. Since 2003 he has worked in the Institute of Art History in Zagreb for the book Art of the Renaissance in Croatia. Presently concerned with the history of miniatures and prints. He has written numerous publications on the history of prints and visual commu- nication (for example the books llustrium Imagines, 2002, and Theatrum humanum, 2013). Jana Perutková, musicologist, teaches at the Institute of Musicology, Faculty of Arts, Ma- saryk University Brno. Her research and teaching activity focuses primarily on the music of the 18th century. Her current theme is Italian opera and oratorio in Moravia and in the Habsburg Empire in the early 18th century. She wrote her habilitation work on “František Antonín Míča in the service of Count Questenberg and Italian opera in Jaroměřice”. She is currently involved in a project “Research probes into the history of musical culture in Mora- via, especially in Brno” (Masaryk University). Her latest book was published under the title “Der glorreiche Nahmen Adami. Johann Adam Graf von Questenberg (1678–1752) als För- derer der italienischen Oper in Mähren“. Friedrich Polleross is an art historian at the Department for Art History of the University of Vienna and Vice-President of the “Institut für die Erforschung der Frühen Neuzeit”. He wrote his thesis “Das sakrale Identifikationsporträt” 1986 at the University of Vienna. He has cooperated internationally in research projects of the European Science Foundation and the Centre de recherche du château de Versailles. He has written numerous publications in Ger- man, English, French, Spanish, Italian and Czech on Baroque art in Middle Europe, on the representation of the Habsburgs, about art and diplomacy and about portraiture. Alexander Rausch, musicologist, wrote his PhD thesis at the University of Vienna on me- dieval music theory and took part in several projects on music of the Middle Ages (published in RISM, among others). Since 2003 he has been a researcher at the Austrian Academy of Sci- ences (Commission for Music Research, since 2013 IKM). Presently he is directing the work