Page - 424 - in Die Repräsentation der Habsburg-Lothringischen Dynastie in Musik, visuellen Medien und Architektur - 1618–1918

Autorenverzeichnis/Authors list Andrea Baotić-Rustanbegović is an art historian and senior teaching and research assistant at the Art History Department of the Faculty of Philosophy, University of Sarajevo. Currently she is working on her PhD thesis “Sculpture in Bosnia and Herzegovina during the Austro- Hungarian Rule 1878–1918” at the Faculty of Humanities and Social Sciences, University of Zagreb. Her research focuses mainly on the art history of Bosnia and Herzegovina in the late 19th and early 20th centuries, as well as topics concerning historicism, orientalism and art in public space. She has written several publications on these subjects. Adriana De Feo, musicologist, graduated in 2005 at the University of Bologna. In 2012 she received her PhD in musicology at the Universität Mozarteum Salzburg with a dissertation on Mozart’s Serenate in the context of the development of the Serenata in the eighteenth century (Mozarts Serenate im Spiegel der Gattungsentwicklung). From 2009 till 2015 she was a re- searcher for the critical edition and database of Mozart’s librettos at the Salzburg Mozarteum Foundation. Since 2017 she is Research Associate at the Universität Wien for the FWF project on the critical edition of the drammi per musica Apostolo Zenos and the development of his poetry at the Viennese court (under the guidance of Alfred Noe). Her research interests and publications focus mainly on the libretto and Italian opera in the seventeenth and eighteenth century. Allison Goudie completed her D.Phil. at New College, Oxford, in 2014, with a thesis entitled “The sovereignty of the royal portrait in Revolutionary and Napoleonic Europe. Five case studies surrounding Maria Carolina, Queen of Naples”. She is currently the Harry M. Weinrebe Curatorial Assistant at the National Gallery, London, where she has contributed, among other things, to the exhibition Goya: The Portraits. Olivia Gruber Florek, art historian, wrote her doctoral thesis at Rutgers University (New Jersey) on Empress Elisabeth and the visual culture of femininity. She has authored numer- ous publications on portraiture in the nineteenth and early twentieth centuries, especially monarchical representation. Her current research concerns the relationship between celebrity portraiture and modernity. She is an Asistant Professor for Art History at Delaware County Community College in Media, Pennsylvania. Timo Hagen holds a Magister degree in art history, history and public law from Heidelberg University, where he received his doctor’s degree in 2016 with a dissertation on concepts of social order in Transylvanian architecture around 1900 in 2016. From 2012–2015 he was