Page - 426 - in Die Repräsentation der Habsburg-Lothringischen Dynastie in Musik, visuellen Medien und Architektur - 1618–1918

426 Autorenverzeichnis/Authors list has been a scientific researcher at the Austrian Academy of Sciences (Commission for Art His- tory, since 2013 IKM) and since 2000 a lecturer in the Department of Art History at the Uni- versity of Vienna, where he was habilitated in 2012. He has written numerous publications on Jesuit architecture, Baroque ceiling painting and the art history of Habsburg residences. Peter Konečný, historian, is writing his thesis on mining experts traveling to the Habsburg monarchy. Between 2006 and 2011 he carried out research work for projects at the universi- ties in Regensburg and Konstanz. In 2012 and 2013 he worked as archivist at Slovak mining archives in Banská Štiavnica. He is presently concerned with historical research on the transfer of mining knowledge in Central Europe. He has written several publications on education of mining experts, the history of chemistry and mining knowledge in 17th and 18th century travelogues. Martin Krummholz, art historian, wrote his PhD thesis on the Patronage of Counts of Gal- las in Early Modern period (1630–1757). In 2006 he curated the exhibition “Clam-Gallas Palace. J. B. Fischer von Erlach” in Prague. Since 2005 he has been a researcher at the Institute of Art History of the Czech Academy of Sciences; he also teaches at the Charles Universty in Prague and at the J. E. Purkyně University in Ústí nad Labem. He is presently concerned with Early Modern profane architecture. He has written numerous publications on Central European aristocratic seats and patronage, stucco, early landscaped gardens in Bohemia and Czech sculpture around 1900. Richard Kurdiovsky, art historian in Vienna (doctoral thesis on the architect Carl Hasenauer). Freelance at the architectural collection of the Albertina Wien until 2004, he worked as a junior scientist for the research project on the Vienna Hofburg in the 19th cen- tury and is currently a member of the scientific staff at the Austrian Academy of Sciences. His main research fields are Central European architecture from the Baroque period to the early 20th century, urban culture and visualisation, court culture of the 19th century, and Habsburg representation in the field of architecture. Andrea Lindmayr-Brandl, musicologist, wrote her university thesis in the field of Renais- sance music. She finished her habilitation on Franz Schubert in 2001. After holding the Austrian Chair Professorship at Stanford University and a guest professorship at Vienna, she was appointed Full Professor at her home university at Salzburg in 2010. Presently mainly concerned with the history of early music printing and editing. She has written numerous publications on Franz Schubert and his time, as well as on early music. Lindmayr-Brandl directs several research projects and is an active member of many academic institutions and organisations.