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Erica
Tietze-conrat218
damaged his hearing, but now he was no longer
proud of these duels although he was endeared to
us as our pet. From the first day on we were fully
aware of his scholarly talents and knowledge.
A paper which he had worked for the seminar,
the story of Michelangelo’s Cartoon of the Bat-
tle,46 showed him on an incomparably higher
level than anything we others could produce.
Wickhoff opened up to him and we realized
that the reserve which he had shown to us had
been his healthy attitude towards our mediocrity.
Koehler being the untouched child in many di-
rections was precocious as a scholar. (We certain-
ly were slow to develop. In some way Wickhoff
and his assistant Dvořák, were to blame; Dehio
and Clemen47 had been better teachers than the
“Wiener Schule” at the late time). Up to Riegl’s death Schlosser was a museum
man and his seminar was a causerie only held in
his collection. It had the flavor of the impromp-
tu48. The tall man, so tall and statuesque that his
eye never stooped down to one of us, opened a
showcase and usually picked out the tiniest of the
objects so that it was hidden in his palm and we
caught no more than a glimpse. Then he mum-
bled its history, relation to, connection with, etc.
etc., usually information which he had already
published in […].
I never heard a real lecture by him but was
well acquainted with his articles, since Wickhoff
had assigned to us report on them in the semi-
nar. His stylistic mannerisms became a never
exhausted source of hilarity for us. The tenor of
his footnotes in which he thanked a colleague for
information […].
46 Das Th ema war auch Wilhelm Köhlers Doktorarbeit: Michelangelos Schlachtenkarton. Ein Rekonstruktionsver-
such, Wien 1906.
47 Der Mediävist Paul Clemen (1886–1947) war Ordinarius für Kunstgeschichte an der Universität Bonn. Bei seinen
Wien-Besuchen logierte er öfters im Hause Tietze.
48 Hervorhebung durch die Verfasserin.
Abbildungsnachweis: Abb. 1: Archiv des Instituts für Kunstgeschichte der Universität Wien.
Wiener Jahrbuch für Kunstgeschichte
Volume LIX
Entnommen aus der FWF-E-Book-Library
- Title
- Wiener Jahrbuch für Kunstgeschichte
- Volume
- LIX
- Editor
- Bundesdenkmalamt Wien
- Institut für Kunstgeschichte der Universität Wien
- Publisher
- Böhlau Verlag
- Location
- Wien
- Date
- 2011
- Language
- German, English
- License
- CC BY-NC-ND 3.0
- ISBN
- 978-3-205-78674-0
- Size
- 19.0 x 26.2 cm
- Pages
- 280
- Keywords
- research, baroque art, methodology, modern art, medieval art, historiography, Baraock, Methodolgiem, Kunst, Wien
- Category
- Kunst und Kultur