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Evonne
Levy258
But the highest value of these letters is indis-
putably in their contribution to Sedlmayr’s polit-
ical biography: for these contain the most explicit
statement of Sedlmayr’s political views that have
come to light as well as a live enactment of the
effect of them on his short and long-term deal-
ings with colleagues63 (not just Schapiro) and his
work.
And yet, we should not rush to categorical
conclusions about Hans Sedlmayr for he is not
without contradictions – beyond and in spite
of the common ground shared by right and left
in this period – a fact also noted by Schapiro.64
Sedlmayr is at once a conservative and wants to
be a leader of the Junge Garde. He gathers togeth-
er scholars for ‘Kritische Berichte’ with die gleiche
wissenschaftliche Gesinnung, seeking collaboration
with scholars on the left, some Jewish, at the very
moment that he is an early member of a reac-
tionary and violently anti-Semitic political party.
Later he assures Meyer Schapiro (from whom he
conceals and never comes out and declares his
party loyalty) dass Sie es mit einem ‘ideologischen’
Gegner zu tun haben. Sedlmayr was an anti-Semi-
te but one of his closest intellectual allies was Jew-
ish. He did not see any contradiction. He tells
Schapiro: I am anticommunist and antijüdisch
and hopes he does not offend! He understands
why Jewish colleagues have distanced themselves
but is sad that Ernest Nagel chooses not to return
for a second visit because he found him nice.
Sedlmayr was naive. He does not understand why the offense to his world view constituted by
Schapiro’s Communism should be taken on dif-
ferent terms than his anti-Semitism.
Sedlmayr’s open display of anti-Semitism
complicates the already complicated discus-
sion around the value of his work because it
has now become personal and it is tempting to
judge him rather than understand him: his ex-
pression of racially offensive ideas (in addition to
his anti-communism) to an individual changes
the register. While I do not want to assume ab-
solute unity between the work and author, the
Sedlmayr-Schapiro correspondence is troubling
and deepens our quandary over his work.
Even in the works of scholars who do not
foreground their politics their value systems
infuse their thinking and if we do not notice a
political register it may be that it is because we
are in agreement. The discussion over the extent
to which personal and political beliefs are em-
bedded in a scholar’s work is more apt to take
place when it is unclear to what extent a heinous
politics “infects” the thinking (as in the debates
over early De Man, over Ernst Jünger – another
ambiguous conservative critic who Sedlmayr
read65 – and over the wartime Heidegger); and
over the ambition of the intellectual’s work to
actively support a worldview and or a regime
(which Sedlmayr’s work from 1938 on demon-
strably does). It is still not entirely clear to what
extent pre-1938 Sedlmayr was driving a political
agenda. As I noted above, the early period of
individual subject’s helplessness and dread (Grauen) in the face of successive catastrophes in modern experience that
defy all rational means of order and prediction.” E. Y. Neaman, A Dubious Past. Ernst Jünger and the Politics of
Literature after Nazism, Berkeley 1999, p. 9 (describing the argument of Karl Heinz Bohrer).
63 When Schapiro wrote to Pächt that Sedlmayr had sent his greetings to him (see above), Pächt replied, 1 July 1952:
What you wrote to me last time about Sedlmayr’s friendly gestures does not surprise me at all. There will be, if necessary,
a third and a fourth volte face, but I am not interested in the psychology of chameleons. Alexander, Otto Pächt (cit. n.
26), p. 116, n. 3.
64 I have been stimulated in thinking about the following by the thoughtful discussion of politics and philosophy in
the Third Reich in H. Sluga, Heidegger’s Crisis: Philosophy and Politics in Nazi Germany, Cambridge (MA) 1993,
esp. chapter 10 and by the various essays in: W. Hamacher/N. Herz/T. Keenan (eds), Responses: On Paul de
Man’s Wartime Journalism, Lincoln 1989.
65 For a review of the post-war debates over Jünger, whether his thought can be taken in isolation from “its possible
relationship to fascism and National Socialism” see Neaman, A Dubious Past (cit. n. 62), Introduction.
Wiener Jahrbuch für Kunstgeschichte
Volume LIX
Entnommen aus der FWF-E-Book-Library
- Title
- Wiener Jahrbuch für Kunstgeschichte
- Volume
- LIX
- Editor
- Bundesdenkmalamt Wien
- Institut für Kunstgeschichte der Universität Wien
- Publisher
- Böhlau Verlag
- Location
- Wien
- Date
- 2011
- Language
- German, English
- License
- CC BY-NC-ND 3.0
- ISBN
- 978-3-205-78674-0
- Size
- 19.0 x 26.2 cm
- Pages
- 280
- Keywords
- research, baroque art, methodology, modern art, medieval art, historiography, Baraock, Methodolgiem, Kunst, Wien
- Category
- Kunst und Kultur