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48 | Mia lövheim www.jrfm.eu 2015, 1/1, 45â56
âą Banal religion: this form of mediatised religion primarily refers to how entertain-
ment media make religion visible in the cultural public sphere. Hjarvard defines
banal religion as texts and practices of institutionalised religion merged with ele-
ments from folk religion and popular conceptions, emotions, and practices refer-
ring to a supernatural or spiritual dimension of life.
Hjarvardâs mediatisation approach has been criticised for not sufficiently taking into
account the cultural and national context in which the various forms of mediatised
religion appear and for accentuating the difference between religion and media as
social and cultural institutions too strongly.9 as argued by Meyer,10 new forms of
mediatisation change religious values and forms, but these changes must be stud-
ied as an outcome of the interplay between newly introduced and previous forms of
communication â such as teachings, practices and social relationships â in a particular
religious context as well as a particular media form. furthermore, religion does not
necessarily lose its significance in society and for individuals by becoming mediatised,
and religious actors might make use of the mediaâs affordances to communicate their
message in contemporary society. One conclusion from these debates is that the in-
stitutional perspective on mediatisation that Hjarvard presents seems most valid for
studies of the category âjournalism on religion,â and mostly so in highly modernised
and secularised countries with a previously dominant Christian church, as in Northern
or Western europe. however, for studies of âbanal religionâ or âreligious mediaâ, the
theory is less useful. i wish to present two approaches to mediatisation from this de-
bate that are more relevant to the media cases that are the topic of this issue.
The German media scholar andreas heppâs theory of âcultures of mediatizationâ
is an example of a âsocial-constructivistâ approach to the study of mediatisation.11
Cultures of mediatisation are those âwhose primary meaning resources are mediat-
ed through technical communication media, and which are âmouldedâ by these pro-
cesses in specifically different waysâ.12 religion, as such a culture, becomes a form
of âdeterritorialized communitizationâ, characterised by âa mediatized construction
of traditionâ.13 The primary sources for religious beliefs and belonging are mediated
through technical communication media, which implys a certain âpressureâ on com-
munication and thus also on the potential for action. how particular technical commu-
nication media shape communication and human agency is, however, the outcome of
relationships between various actors within a specific context.
Hepp identifies the popular-religious spiritual sphere and fundamentalist move-
ments as forms of mediatised religion in that they to a high degree articulate reli-
9 lövheim/lynch 2011.
10 Meyer 2013.
11 Couldry/hepp 2013.
12 hepp 2013, 70.
13 hepp 2013, 120.
JRFM
Journal Religion Film Media, Volume 01/01
- Title
- JRFM
- Subtitle
- Journal Religion Film Media
- Volume
- 01/01
- Authors
- Christian Wessely
- Daria Pezzoli-Olgiati
- Editor
- Uni-Graz
- University of Zurich
- Publisher
- SchĂŒren Verlag GmbH
- Location
- Graz
- Date
- 2015
- Language
- English
- License
- CC BY-NC 4.0
- Size
- 14.8 x 21.0 cm
- Pages
- 108
- Categories
- Zeitschriften JRFM