Page - 68 - in JRFM - Journal Religion Film Media, Volume 02/01
Image of the Page - 68 -
Text of the Page - 68 -
68 | Florian Heesch www.jrfm.eu 2016, 2/1, 49–69
BIBLIOGRAPHY
Auslander, Philipp, 2008, Liveness: Performance in a Mediatized Culture, London: Routledge.
Auslander, Philipp, 2009, Musical Persona: The Physical Performance of Popular Music, in: Scott, Derek B.
(ed.), The Ashgate Research Companion to Popular Musicology, Farnham: Ashgate, 303–316.
Barthes, Roland, 1977, Image – Music – Text, London: Fontana Press.
Bowman, Rob, 2015, Motown, Grove Music Online. Oxford Music Online, Oxford University Press: http://
www.oxfordmusiconline.com/subscriber/article/grove/music/19225 [accessed 26 September 2015].
Cross, Melissa, 2005/2007, The Zen of Screaming: Vocal Instruction for a New Breed, 2 vols. Loudmouth.
Cusick, Suzanne G., 1999, On Musical Performances of Gender and Sex, in: Barkin, Elaine/Hamessley, Lydia
(eds.), Audible Traces: Gender, Identity, and Music, Zurich: Carciofoli, 25–48.
Dickinson, Kay, 2001, “Believe”? Vocoders, Digitalised Female Identity and Camp, Popular Music 20, 3,
333–347.
Dibben, Nicola, 2002, Gender Identity and Music, in: MacDonald, Raymond A. R./Hargreaves, David J./Miel,
Dorothy (eds.), Musical Identities, Oxford: Oxford University Press, 117–133.
Eckenroth, Lindsey, 2014, Once Again, on the Music of Laurie Anderson’s “O Superman (for Massenet)”,
American Music Review 43, 2, 21–24.
Ernst, Christoph/Paul, Heike (eds.), 2013, Präsenz und implizites Wissen: Zur Interdependenz zweier Schlüs-
selbegriffe der Kultur- und Sozialwissenschaften, Bielefeld: transcript.
Eshun, Kodwo, 1998, More Brilliant than the Sun: Adventures in Sonic Fiction, London: Quartet Books.
Frith, Simon, 1981, Sound Effects: Youth, Leisure, and the Politics of Rock’n’Roll, New York: Pantheon Books.
Frith, Simon, 1998, Performing Rites: On the Value of Popular Music, Cambridge, MA: Harvard University
Press.
GauĂź, Stefan, 2009, Nadel, Rille, Tricher: Kulturgeschichte des Phonographen und des Grammophons in
Deutschland (1900–1940), Cologne: Böhlau.
GauĂź, Stefan, 2013, Der Sound aus dem Trichter: Kulturgeschichte des Phonographen und des Grammo-
phons, in: Paul, Gerhard/Schock, Ralph (eds.), Sound des Jahrhunderts, Bonn: Bundeszentrale fĂĽr
politische Bildung, 30–35.
Hähnel, Tilo, 2015, “The Cutest Flapper that You’ve Ever Seen”. Über die Anfänge des Crooning, in: Pflei-
derer, Martin (ed.), Stimme, Kultur, Identität: Vokaler Ausdruck in der populären Musik der USA, 1900–
1960, Bielefeld: transcript, 129–150.
Halberstam, J. Jack, 2012, Gaga Feminism: Sex, Gender, and the End of Normal, Boston: Beacon Press.
Haraway, Donna, 2010, A Manifesto for Cyborgs [1985], in: Leitch, Vincent B. (ed.), The Norton Anthology
of Theory and Criticism, New York: Norton, 2190–2220.
Heesch, Florian, 2011, Extreme Metal und Gender: Zur Stimme der Death-Metal-Vokalistin Angela Gossow,
in: Meine, Sabine/Noeske, Nina (eds.), Musik und Popularität: Aspekte zu einer Kulturgeschichte zwis-
chen 1500 und heute, Münster: Waxmann, 167–186.
Heesch, Florian, 2012, Metal for Nordic Men? Amon Amarth’s Representations of Vikings, in: Scott, Niall W.
R. (ed.), Reflections in the Metal Void, Oxford: Inter-Disciplinary Press, 167–182.
Holtsträter, Knut, 2011, Der Crooner, das unbekannte Wesen, in: Meine, Sabine/Noeske, Nina (eds.), Musik
und Popularität: Aspekte zu einer Kulturgeschichte zwischen 1500 und heute, Münster: Waxmann,
145–165.
Laing, Dave, 1991, A Voice without a Face. Popular Music and the Phonograph in the 1890s, Popular Music
10, 1, 1–9.
Leibetseder, Doris, 2010, Queere Tracks: Subversive Strategien in der Rock- und Popmusik, Bielefeld: tran-
script, 229–250.
JRFM
Journal Religion Film Media, Volume 02/01
- Title
- JRFM
- Subtitle
- Journal Religion Film Media
- Volume
- 02/01
- Authors
- Christian Wessely
- Daria Pezzoli-Olgiati
- Editor
- Uni-Graz
- Publisher
- SchĂĽren Verlag GmbH
- Location
- Graz
- Date
- 2016
- Language
- English
- License
- CC BY-NC 4.0
- Size
- 14.8 x 21.0 cm
- Pages
- 132
- Categories
- Zeitschriften JRFM