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JRFM - Journal Religion Film Media, Volume 02/01
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Voicing the Technological Body | 69www.jrfm.eu 2016, 2/1, 49–69 McClary, Susan, 2002, Feminine Endings: Music, Gender, and Sexuality, with a New Introduction, Minneapo- lis: University of Minnesota Press. Mesiä, Susanna/Ribaldini, Paolo, 2015, Heavy Metal Vocals. A Terminology Compendium, in: Karjalainen, Toni-Matti/Kärki, Kimi, Modern Heavy Metal: Markets, Practices and Culture, Helsinki: Aalto University, 383–392. Middleton, Richard, 1990, Studying Popular Music, Milton Keynes: Open University Press. Moore, Allan F., 2001, Rock: The Primary Text: Developing a Musicology of Rock, Aldershot: Ashgate. Moore, Allan F., 2012, Song Means: Analysing and Interpreting Recorded Popular Song, Farnham: Ashgate. Mungen, Anno, 2012, Grammophon und Identität. Hohe männliche Stimmen auf Schallplattenaufnahmen der 1920er Jahre, in: Herr, Corinna/Jacobshagen, Arnold/Wessel, Kai (eds.), Der Countertenor: Die männliche Falsettstimme vom Mittelalter zur Gegenwart, Mainz: Schott Music, 169–180. Ong, Walter, 1981, The Presence of the Word: Some Prolegomena for Cultural and Religious History, Min- neapolis, MN: University of Minnesota Press, 101. Osborne, Richard, 2014, Vinyl: A History of the Analogue Record, Farnham: Ashgate. Shumway, David R., 2015, Rock Stars as Icons, in: Bennett, Andy/ Waksman, Steve (eds.), The Sage Hand- book of Popular Music, London: Sage, 301–316. Sillitoe, Sue/Bell, Matt, 1999, Recording Cher’s “Believe”, Sound on Sound, February 1999, online edition, http://www.soundonsound.com/sos/feb99/articles/tracks661.htm [accessed 10 March 2016]. Sterne, Jonathan, 2003, The Audible Past: Cultural Origins of Sound Reproduction, Durham, London: Duke University Press, 16–19. Tompkins, Dave, 2011, How to Wreck a Nice Beach: The Vocoder from World War II to Hip-Hop: The Machine Speaks, Brooklyn, NY: Melville House. von Hoff, Dagmar, 2005, Performanz/Repräsentation, in: von Braun, Christina/Stephan, Inge (eds.), Gen- der@Wissen. Ein Handbuch der Gender-Theorien, Cologne: Böhlau, 162–179. Weheliye, Alexander G., 2002, “Feenin”. Posthuman Voices in Contemporary Black Popular Music, Social Text 71, 20, 2, 21–47. Wicke, Peter, 2001, Sound-Technologien und Körper-Metamorphosen. Das Populäre in der Musik des 20. Jahrhunderts, in: Wicke, Peter (ed.), Rock- und Popmusik, Laaber: Laaber, 11–60. Wicke, Peter, 2011, Rock und Pop: von Elvis Presley bis Lady Gaga, Munich: Beck. Young, Miriama, 2015, Singing the Body Electric: The Human Voice and Sound Technology, Farnham: Ash- gate.
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JRFM Journal Religion Film Media, Volume 02/01
Title
JRFM
Subtitle
Journal Religion Film Media
Volume
02/01
Authors
Christian Wessely
Daria Pezzoli-Olgiati
Editor
Uni-Graz
Publisher
SchĂĽren Verlag GmbH
Location
Graz
Date
2016
Language
English
License
CC BY-NC 4.0
Size
14.8 x 21.0 cm
Pages
132
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