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On the History and Hermeneutics of Comics |
17www.jrfm.eu
2017, 3/1, 17–44
Christian Wessely
On the History and Hermeneutics of Comics
ABstrACt
What is a comic? the simple answer states that a comic is a drawn story that is pic-
ture- rather than text-oriented and told serially. in other words, a comic is a type of
illustration. Realism is not its goal; rather a narrative is developed through reduction
according to specific stylistic means.
I start this article with a definition of the term “comic”, and move on to highlight
the complexity of the comic and to argue that insight into this complexity is neces-
sary for its correct interpretation. Only then can we recognise that the comic is not
only entertaining but also, in its own way, a vehicle for content that might be system
confirming and propagandistic but can also be system critical. Doing so allows us to
see the potential of the comic that is embedded in its particular affinity with nonlinear
interactive audiovisual media.
KeyWOrDs
history of comics, hermeneutic of comics, illustrative language, dissident potential,
propagandistic potential
BiOGrAPhy
Master Craftsman Diploma and engineer for Agriculture (hBLfA raumberg-Gumpen-
stein, 1984/1991); Mag. theol. (1991, distinction); Dr. theol. (Fundamental Theology;
thesis on Mythological structures in entertainment industry, frankfurt: Lang 1995,
distinction). Habilitation in Fundamental Theology (2004; thesis: Gekommen, um zu
dienen, regensburg: Pustet 2005). Director of the institute for fundamental theology
at the Karl-franzens-University Graz, Austria, since 2014.
My principal area of expertise, Catholic fundamental theology, is not exactly
known for its affinity with comics. Until the 1970s, comics were generally ig-
nored by scholars; subsequently they were either vilified as an inferior genre or,
worse, interpreted eisegetically. Only a small number of researchers took com-
ics as seriously as they deserved,1 and none of them worked from the specific
perspective of fundamental theology. The discipline, however, cannot afford to
1 A good example of an early, high quality approach is Wermke 1976.
JRFM
Journal Religion Film Media, Volume 03/01
- Title
- JRFM
- Subtitle
- Journal Religion Film Media
- Volume
- 03/01
- Authors
- Christian Wessely
- Daria Pezzoli-Olgiati
- Editor
- Uni-Graz
- Publisher
- SchĂĽren Verlag GmbH
- Location
- Graz
- Date
- 2017
- Language
- English
- License
- CC BY-NC 4.0
- Size
- 14.8 x 21.0 cm
- Pages
- 214
- Categories
- Zeitschriften JRFM