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24 | Christian Wessely www.jrfm.eu 2017, 3/1, 17–44
the cartoon (see fig. 5) is a further subcategory, usually employed for an indi-
vidual drawing on the border between comic and caricature that is self-stand-
ing and has only a few of the typical characteristics of the comic (see below).22
the cartoon will often make reference to contemporary political and/or social
context.
fOrMAL feAtUres
fundamentally, a comic is a single drawing or series of drawings that tells a sto-
ry (narrative element), with the depiction reduced to its essential components
(abstracting element); the explanatory, verbal text is of secondary importance
(priority of the image); the narrative is not bound to time (multitemporality);
and the whole provides readers with new interpretative meanings (polypercep-
tion).
NArrAtiVe eLeMeNt
A comic is a drawing that narrates a story that may be known or completely
new. Unlike the classic painting, a comic has a narrative that is not limited to
22 in the Anglo-American context, “cartoon” (short: “toon”) is also used to designate the animated short
film.
Fig. 5: Ralph Ruthe, Cartoon #3031,
in: http://ruthe.de/cartoon/3031/
datum/asc/ [accessed 5 Dec. 2016].
JRFM
Journal Religion Film Media, Volume 03/01
- Title
- JRFM
- Subtitle
- Journal Religion Film Media
- Volume
- 03/01
- Authors
- Christian Wessely
- Daria Pezzoli-Olgiati
- Editor
- Uni-Graz
- Publisher
- SchĂĽren Verlag GmbH
- Location
- Graz
- Date
- 2017
- Language
- English
- License
- CC BY-NC 4.0
- Size
- 14.8 x 21.0 cm
- Pages
- 214
- Categories
- Zeitschriften JRFM