Page - 117 - in JRFM - Journal Religion Film Media, Volume 03/01
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Deconstructing Gilgul, Finding Identity |
117www.jrfm.eu
2017, 3/1, 105–121
ternal context of his subjectivity, an essential context if he is to find his identity.
And his quest is not about gaining his identity for selfish reasons; the goals of his
quest are necessarily concerned with (political) society and human community.
Captain America can only find himself if he works for the ideals of that society
and thus for securing a communal life based on these ideals.
from the beginning the quest for the tikkun of his soul – his search for re-
demption because of Bucky’s presumed death – is interwoven with his quest for
the tikkun of the world. Consequently, Captain America can only find his identity
and become whole when he is able to name the reason for his existence in the
present world. in the issue in which he is reintroduced that reason is given as
“being in costume – on the trail of some strange, unknown menace!”,69 but
very soon that idea is complemented by the values of individual freedom and
the liberty of society for which he had already fought in the second World War.
Spreading these values and fighting anything that menaces them becomes Cap-
tain America’s raison d´être. the temporal displacement he experiences, how-
ever, saves him from becoming a one-dimensional representative of chauvin-
istic nationalism. Instead, Captain America increasingly becomes the reflective
hero. in an iconic issue, stan Lee and artist and co-writer Gene Colan have him
question his actions and ethos over five of the 20 pages.70 the passage generat-
ed many months of letter-page discussion, involving readers and Lee about pat-
riotism. With this issue, reflectiveness became a permanent trait of the series
and its hero. His ethos and critical reflectiveness also made Captain American
the leader of the resistance to governmental control of superheroes in Marvel
Comics’ Civil War event of 2006/7 – and have him resign that role after he has
experienced the disastrous consequences of the ensuing conflict.
his striving for freedom and his critical thinking mean that Captain America
constantly works for the tikkun of the world, in which he finds his identity. And
even though he identifies his quest as fighting for freedom, namely the freedom
of individuals, that quest cannot be fulfilled by realization of his own freedom;
his task is to work for a society whose freedom and constitution go hand in
hand, for a community that offers relationships of freedom and thus constitutes
a body politic. Captain America was a communitarian long before communitari-
anism appeared in the 1980s as a political theory – and his communitarianism is
a product of his ties to Judaism and to the Judaistic concept of community as
the necessary context for and counterpart to becoming an individual. in Bru-
baker’s revival of Bucky, the character regains his identity in relation to the peo-
ple in the world around him and by redeeming the deeds of his past life as the
69 Avengers 4/1964, 12.
70 Captain America 122/1970, 1–5.
JRFM
Journal Religion Film Media, Volume 03/01
- Title
- JRFM
- Subtitle
- Journal Religion Film Media
- Volume
- 03/01
- Authors
- Christian Wessely
- Daria Pezzoli-Olgiati
- Editor
- Uni-Graz
- Publisher
- SchĂĽren Verlag GmbH
- Location
- Graz
- Date
- 2017
- Language
- English
- License
- CC BY-NC 4.0
- Size
- 14.8 x 21.0 cm
- Pages
- 214
- Categories
- Zeitschriften JRFM