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92 | Verena Eberhardt www.jrfm.eu 2018, 4/1, 81–99
The stories “Lena feiert Pessach mit
Alma” and “Lili und das chinesische
Frühlingsfest” represent religious oth-
erness too (fig. 13–14).
Only a few stories illustrate the
spaces in which the characters who
represent own identities live, and such
illustrations are not linked with any
specific religious or traditional mate-
rial culture. This conceptual decision
suggests a need to represent foreign
identities, whereas own traditions ap-
pear natural. This statement applies
to fashion and clothing too. All the
children – irrespective of national, cul-
tural or religious background – wear
similar clothes, whether trousers,
skirts, blouses or shirts. The reader
perceives the characters as equal. In-
stead parents and grandparents are
the characters who tend to represent
otherness in their clothing (fig. 15–17).
This conception suggests that culture
and religion are located in family struc-
tures.
Fig. 13: Interior design and material culture in
Hal
ber stam/Späth (illust.), Lena feiert Pessach
mit Alma (n. pag.) © Carlsen Verlag GmbH,
Hamburg 2011.
Fig. 14: Interior design in Yu-Dembski/Leberer
(illust.), Lili und das chinesische FrĂĽhlingsfest (n.
pag.) © Carlsen Verlag GmbH, Hamburg 2011.
Fig. 15: Fashion and
clothing in Pana/
Bandlow (illust.),
Jana und Teresa
feiern Himmelfahrt
(n. pag.).
JRFM
Journal Religion Film Media, Volume 04/01
- Title
- JRFM
- Subtitle
- Journal Religion Film Media
- Volume
- 04/01
- Authors
- Christian Wessely
- Daria Pezzoli-Olgiati
- Editor
- Uni-Graz
- Publisher
- SchĂĽren Verlag GmbH
- Location
- Graz
- Date
- 2018
- Language
- English
- License
- CC BY-NC 4.0
- Size
- 14.8 x 21.0 cm
- Pages
- 129
- Categories
- Zeitschriften JRFM