Page - 101 - in JRFM - Journal Religion Film Media, Volume 05/01

logical, moral and aesthetic messages. The intertextual richness and complexity of this film, the result of carefully crafted direction, have made Il Vangelo sec- ondo Matteo one of the most important and widely acclaimed Christological representations of the 20th century. BIBLIOGRAPHY Buttitta, Antonino, 1979, Semiotica e Antropologia, Palermo: Sellerio. Fantuzzi, Virgilio, 2004, “Il Vangelo secondo Matteo” di Pier Paolo Pasolini, La Civiltà Cattolica IV, 360–373. France, Richard T., 2007, The Gospel of Matthew, Cambridge: Wm. B. Eerdmans Publishing. Hjelmslev, Louis T., 1961, Prolegomena to a Theory of Language, Madison: University of Wisconsin. Honoré, Anthony M., 1968, A Statistical Study of the Synoptic Problem, Novum Testamentum 10, 95–147. Jakobson, Roman, 1963, Essais de linguistique générale, Paris: Edition de Minuits. Leone, Massimo, 2005, A Semiotic Comparison Between Mel Gibson’s “The Passion of the Christ” and Pier Paolo Pasolini’s “The Gospel According to Saint Matthew”, Pastoral Psychology 53, 351–360. Marsciani, Francesco / Zinna, Alessandro, 1991, Elementi di semiotica generativa, Bologna: Escu- lapio. Oppo, Andrea, 2015, “Il Gesù di Pasolini”, paper for PFTS meeting, Cagliari, http://www.academia. edu/20012043/Il_Ges%C3%B9_di_Pasolini_Pasolinis_Jesus [accessed 28 January 2018]. Pasolini, Pier Paolo, 1975, Scritti corsari, Milan: Garzanti. Pasolini, Pier Paolo, 1991, Il Vangelo secondo Matteo, Edipo re, Medea, Milan: Garzanti. Pasolini, Pier Paolo, 1992, Petrolio, Turin: Einaudi. Runesson, Anders, 2008, Rethinking Early Jewish – Christian Relations: Matthean Community Histo- ry as Pharisaic Intragroup Conflict, Journal of Biblical Literature 127, 95–132. Subini, Tommaso, 2006, Il dialogo tra Pier Paolo Pasolini e la Pro Civitate Christiana sulla sceneggia- tura de “Il Vangelo secondo Matteo”, in: Eugeni, Ruggero / Viganò, Dario E. (eds.), Attraverso lo schermo. Cinema e cultura cattolica in Italia, Rome: EdS, 223–237. Vittorelli, Paolo, 2007, Il Vangelo secondo Matteo. Pasolini e il sacro: “Crist al mi clama / ma sensa lus”, Philomusica, 6(3), http://riviste.paviauniversitypress.it/index.php/phi/article/view/06-03- INT09/82#_ftn3 [accessed 2 December 2017]. FILMOGRAPHY Accattone (Pier Paolo Pasolini, IT 1961). Aлександр Hевский (Aleksandr Nevsky, Sergei M. Eisenstein, USSR 1938). Il Vangelo secondo Matteo (The Gospel According to St. Matthew, Pier Paolo Pasolini, IT 1964). Ro.Go.Pa.G. (Roberto Rossellini, Jean-Luc Godard, Pier Paolo Pasolini, Ugo Gregoretti, IT 1963). The Soundscape of The Gospel According to St. Matthew | 101www.jrfm.eu 2019, 5/1