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60 | Stefanie Knauss www.jrfm.eu 2016, 2/2, 45–66
further relationships of family obligations or religious affiliations are introduced
with their impact on her colleagues’ decision to support her or not, underlining
the interdependence – although to varying degrees – that exists between all
members of a community.34 Relationships are shown to be of existential im-
portance, both psychologically and materially. Sandra’s relationships with her
husband, family and friends help her to see herself as a valuable human being,
and the building of relationships with her colleagues is the only means to at
least attempt to keep the job she needs to support her family. The value of rela-
tionship is further underlined by the way in which Sandra’s interactions with her
colleagues are represented. She calmly explains her situation, responds to que-
ries and listens to her colleagues’ arguments, and even if they refuse to support
her, she takes her leave with a handshake or kisses on the cheeks that signal the
possibility to continue the relationship in spite of disagreements. The theme of
relationship is visually developed through the directors’ choice to show char-
acters in the same frame even if they represent opposing views, so that while
their opinions contradict each other, they are still united in one frame (fig. 7).
Additionally, as in other films, pans from one person to another during a conver-
sation trace their relationship instead of slicing it up through cuts in the classic
shot/reverse-shot technique, often used for dialogue.
Most remarkable from the perspective of a feminist development of Chris-
tian social ethics is the way Sandra’s relationship with Manu, her husband, is de-
picted in a vision of universal care ethics. Disrupting stereotypes of the female
family worker who provides emotional support for her husband, and the au-
thoritative male head of the household who is the breadwinner and steps in to
fix the situation if a woman is in difficulties, the relationship between husband
and wife is one of true partnership. Both share in the work at home – preparing
meals, looking after the children, offering emotional support – and paid work.
34 See Scholz 1997, 24.
Fig. 7: Film still, Two
Days, One Night
(BE/FR/IT 2014),
00:57:30.
JRFM
Journal Religion Film Media, Volume 02/02
- Title
- JRFM
- Subtitle
- Journal Religion Film Media
- Volume
- 02/02
- Authors
- Christian Wessely
- Daria Pezzoli-Olgiati
- Editor
- Uni-Graz
- Publisher
- SchĂĽren Verlag GmbH
- Location
- Graz
- Date
- 2016
- Language
- English
- License
- CC BY-NC 4.0
- Size
- 14.8 x 21.0 cm
- Pages
- 168
- Categories
- Zeitschriften JRFM