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108 | Alexander D. Ornella www.jrfm.eu 2016, 2/2, 99–122
humbly requesting him to attend, Adam offers a friendly, encouraging gesture
that is powerful and respectful at the same time. Through the Christian praxis of
sharing food, the two men, representing very different masculinities, are trans-
formed into “equals in Christ”.29 This scene also renders visible the problem of
applying labels when talking about masculinity: what does masculinity mean?
And if we understand masculinity as performance, as power, we need then ask:
who performs for/over whom?, who is in power and in which contexts?, and
what kind of power are we actually talking about? Power, too, can have many
different forms and effects: it can oppress, but it can also empower. This iconic
Christmas meal also turns around power relations: the main “loser” character
suddenly finds himself in the position of power and brings the community to-
gether.
The third and final season ends again with a gathering of “equals in Christ”,
although there is no food in the final scene. The small community gathers in
front of St Saviour’s parish church. It is the last Easter Vigil both for St Saviour’s,
because the church is shut down for financial reasons, and for Adam, because
he decided that being a vicar is not appropriate for him anymore. Even though
there is no actual food, the theme is present in a theological sense. As the com-
munity gathers around the Easter fire and celebrates the resurrection, Jesus
becomes their food: they consume Christ and are consumed by Christ. Both the
Christmas scene and the Easter scene then seem to call for a celebration of life
in all its shades and colors to overcome the power of one particular master nar-
rative.30
29 Cf. Gal. 3:28; Méndez-Montoya 2012, 113–156; Counihan 1999, 6.
30 One can, of course, argue that today’s incarnation of Christianity is itself a master narrative that pre-
vailed over other Christian narratives.
Fig 2: Film still,
Celebration of the
Easter Vigil in front
of St Saviour’s, Rev.
(2010–2014),
S03/E06.
JRFM
Journal Religion Film Media, Volume 02/02
- Title
- JRFM
- Subtitle
- Journal Religion Film Media
- Volume
- 02/02
- Authors
- Christian Wessely
- Daria Pezzoli-Olgiati
- Editor
- Uni-Graz
- Publisher
- SchĂĽren Verlag GmbH
- Location
- Graz
- Date
- 2016
- Language
- English
- License
- CC BY-NC 4.0
- Size
- 14.8 x 21.0 cm
- Pages
- 168
- Categories
- Zeitschriften JRFM