Page - 63 - in JRFM - Journal Religion Film Media, Volume 03/02
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Emulating Science |
63www.jrfm.eu
2017, 3/2, 53–64
an image or illustration is an affirmation of what someone wants the reader to
accept as true. if this is so, the kinship of creationist and secular science muse-
ums is not surprising. and if we situate them within the american context of a
history of rivalry and competition for public attention, the fact that they use the
same visual rhetoric even makes sense. But i have framed their relationship in
terms of emulation rather than of merely mirroring one another. this is because
the lion’s share of symbolic capital rests with the scientific enterprise, which is
much more prestigious, authoritative, and widely affirmed than the creationist
view of the origin of the universe. that means that in order to be noticed and to
generate authority within their own community of Christian fundamentalism,
creationists must borrow from, mimic, and ultimately emulate the techniques,
or at least the appearance, of scientific method and reasoning. I choose “emula-
tion” very deliberately: the word means the effort to match or surpass another.
thus, creationists try to match secular science in order ultimately to surpass it.
the sermon preached by the design of the Creation Museum is not content sim-
ply to look like science, but aims to do science that is affirmed by the Scriptures.
BiBLioGraPhy
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“darwin’s finches”, n.d. Creation Museum website, https://creationmuseum.org/creation-science/
natural-selection/ [accessed 11 february 2017].
Daston, Lorraine, 2014, Beyond Representation, in: Coopmans, Catelijne/Vertesi, Janet/Lynch, Mi-
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JRFM
Journal Religion Film Media, Volume 03/02
- Title
- JRFM
- Subtitle
- Journal Religion Film Media
- Volume
- 03/02
- Authors
- Christian Wessely
- Daria Pezzoli-Olgiati
- Editor
- Uni-Graz
- Publisher
- SchĂĽren Verlag GmbH
- Location
- Graz
- Date
- 2017
- Language
- English
- License
- CC BY-NC 4.0
- Size
- 14.8 x 21.0 cm
- Pages
- 98
- Categories
- Zeitschriften JRFM