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Machat, Sibylle, 2013, In the Ruins of Civilizations: Narrative Structures, World Construction and Physical Realities in the Post-Apocalyptic Novel, Trier: Wissenschaftlicher Verlag Trier. Mayer, Sylvia, 2014, Explorations of the Controversially Real: Risk, the Climate Change Novel, and the Narrative of Anticipation, in Mayer, Sylvia / Weik von Mossener, Alexa (eds.), The Anticipa- tion of Catastrophe. Environmental Risk in North American Literature and Culture, Heidelberg: Winter, 21–38. McCarthy, Cormac, 2006, The Road, London: Picador. Moore, Jason W., 2015, Capitalism in the Web of Life, London: Verso. Mosca, Valeria, 2013, Crossing Human Boundaries. Apocalypse and Posthumanism in Margaret At- wood’s Oryx and Crake and Year of the Flood, Altre Modernità / Otras Modernidades / Autres Modernités / Other Modernities 9, 38–52. Parrinder, Patrick, 2015, Utopian Literature and Science. From the Scientific Revolution to Brave New World and Beyond, Basingstoke: Palgrave Macmillan. Rosen, Elizabeth K., 2008, Apocalyptic Transformation. Apocalypse and the Postmodern Imagina- tion, Plymouth: Lexington. Shelley, Mary, 1994 [1818], Frankenstein, edited by Stanley Appelbaum and CandaceWard, Mineola: Dover. Snyder, Katherine V., 2011, “Time to Go”. The Post-Apocalyptic and the Post-Traumatic in Margaret Atwood’s Oryx and Crake, Studies in the Novel 43, 4, 470–489. Tate, Andrew, 2017, Apocalyptic Fiction, London: Bloomsbury. Wolfe, Cary, 2010, What is Posthumanism?, Minneapolis: University of Minnesota Press. FILMOGRAPHY Avatar (James Cameron, US 2009). Interstellar (Christopher Nolan, US 2014). Snowpiercer (Bong Joon Ho, KR/CZ 2014). The Day after Tomorrow (Roland Emmerich, US 2004). Wall-E (Andrew Stanton, US 2008). 50 | Stephanie Bender www.jrfm.eu 2019, 5/2, 31–50