Page - 138 - in JRFM - Journal Religion Film Media, Volume 05/02

King, Richard, 1999, Orientalism and Religion: Postcolonial Theory, India and “The Mystic East”, London: Routledge. Knott, Kim / Poole, Elizabeth / Taira, Teemu, 2013, Media Portrayals of Religion and the Secular Sa- cred: Representation and Change, Farnham: Ashgate. Kraemer, Ross / Cassidy, William / Schwartz, Susan L., 2003, Religions of Star Trek, Boulder: West- view Press. Lyden, John C., 2003, Film as Religion: Myths, Morals and Religion, New York: New York University Press. Marsh, Clive, 2004, Cinema and Sentiment: Film’s Challenge to Theology, Milton Keynes: Paternoster. Martin, Joel W., 1995, Introduction: Seeing the Sacred on the Screen, in: Martin, Joel W. / E. Ostwalt Jr., Conrad (eds.), Screening the Sacred: Religion, Myth and Ideology in American Popular Film, Boulder: Westview Press, 1–12. McDowell, John C., 2007, The Gospel according to Star Wars: Faith, Hope, and the Force, Louisville: Westminster John Knox Press. Plate, S. Brent, 2005, Film and Religion, in: Jones, Lindsay (ed.), Encyclopedia of Religion, New York: Thomson & Gale, 3097–3103. Porter, Jennifer E. / McLaren, Darcee L. (eds.), 1999, Star Trek and Sacred Ground: Explorations of Star Trek, Religion and American Culture, Albany: State University of New York. Saler, Benson, 2000, Conceptualizing Religion: Immanent, Anthropologists, Transcendent Natives and Unbound Categories, New York: Berghahn Books. Saler, Benson, 2008, Conceptualizing Religion: Some Recent Reflections, Religion 38, 3, 219–225. Segal, Robert A., 2004, Myth, Oxford: Oxford University Press. Smith, Frank J., 2011, Christian Culture, Morality and James Bond, in: Weiner, Robert G. / Whitfield, B. Lynn / Becker, Jack (eds.), James Bond in World and Popular Culture: The Films Are Not Enough, Newcastle: Cambridge Scholars Publishing, 468–488. Sprague de Camp, Lyon, 1970, Lost Continents: The Atlantis Theme in History, Science and Litera- ture, New York: Dover. Strinati, Dominic, 1995, An Introduction to Theories of Popular Culture, London: Routledge. Taira, Teemu, 2013a, Making Space for Discursive Study in Religious Studies, Religion 43, 1, 26–45. Taira, Teemu, 2013b, The Category of “Invented Religion”: A New Opportunity for Studying Dis- courses on “Religion”, Culture and Religion 14, 4, 477–493. Taira, Teemu, 2016, Discourse on “Religion” in Organizing Social Practices: Theoretical and Practical Considerations, in: Wijsen, Frans/von Stuckrad, Kocku (eds.), Making Religion: Theory and Prac- tice in the Discursive Study of Religion, Leiden: Brill, 125–146. Turner, Graeme, 2003, British Cultural Studies, London: Routledge, 3rd ed. von Franz, Marie-Louise, 2000, The Problem of the Puer Aeternus, Toronto: Inner City Books. Weisenfeld, Judith, 2007, Hollywood Be Thy Name: African American Religion in American Film, 1929–1949, Berkeley: University of California Press. FILMOGRAPHY OF ALL BOND FILMS IN CHRONOLOGICAL ORDER Dr. No (Terence Young, GB 1962). From Russia with Love (Terence Young, GB 1963). Goldfinger (Guy Hamilton, GB 1964). Thunderball (Terence Young, GB 1965). You Only Live Twice (Lewis Gilbert, GB/JP 1967). Casino Royale (Ken Hughes, GB /US 1967). On Her Majesty’s Secret Service (Peter R. Hunt, GB 1969). Diamonds Are Forever (Guy Hamilton, GB 1971). Live and Let Die (Guy Hamilton, GB 1973). The Man with a Golden Gun (Guy Hamilton, GB /TH 1974). 138 | Teemu Taira www.jrfm.eu 2019, 5/2, 119–139