Page - 189 - in JRFM - Journal Religion Film Media, Volume 07/01

In the Orality/Aurality of the Book | 189www.jrfm.eu 2021, 7/1, 173–190 has argued that “the spatial underpinning of religion is witnessed at all lev- els, from the expression of hierarchical relations (divine, clerical, lay) in the physical enactment of the Eucharist in Christianity, to the local, national and global extension of religious structures and institutions by their repeated re- production.”26 Migration, diaspora and transnationalism27 are combined in the inclusiv- ity of the soundscape examined in this article. It is very difficult to live this soundscape without thinking of these three concepts as integral. It is impos- sible to get into its spatial reality without grasping its openness and mobility. This controlled and careful openness and inclusivity allow for the vagueness of its aurality to be a welcome part of the services. They allow for “mistakes”, incompatibilities, dissonances, slight diversions from a nominalist following of the order to be considered not wrong but rather a creative practice with its own coherence and methodological value. Bibliography Aston, M., 2004, Lap Books and Lectern Books: The Revelatory Book in the Reformation, Studies in Church History 38, 163–189. Böhme, Gernot, 2018, The Aesthetics of Atmospheres, New York: Routledge. Edensor, Tim / Kelly, Mij (eds.), 1990, Moving Worlds. Personal Recollections of Twenty-One Immigrants to Edinburgh, Edinburgh: Polygon. Földváry, Miklós István, 2008, The Lectern in Liturgical Culture, Sacred Music 135, 4, 14–20. Fraser, Eugenie, 1984, The House by the Dvina, A Russian Childhood, Edinburgh: Mainstream Publishing. Getcha, Job, 2012, The Typikon Decoded, Orthodox Liturgy Series, New York: St. Vladimir’s Seminary Press. Griffero, Tonino, 2014, Atmospheres: Aesthetics of Emotional Spaces, New York: Routledge. Howard, Deborah / Moretti, Laura, 2009, Sound and Space in Renaissance Venice, New Ha- ven: Yale University Press. Knott, Kim, 2005, The Location of Religion, A Spatial Analysis, London: Routledge. Levitt, Peggy / Glick, Nina, 2004, Conceptualizing Simultaneity: A Transnational Social Field Perspective on Society, International Migration Review 38, 3, 1002–1039. Lind, Tvarno Tore, 2012, The Past Is Always Present: The Revival of the Byzantine Musical Tradition at Mount Athos, Lanham: The Scarecrow Press. Lingas, Alexander / Pentcheva, Bissera, 2019, Lost Voices of Hagia Sophia: Medieval Byzan- tine Chant Sung in the Virtual Acoustics of Hagia Sophia. The Feast of the Exaltation of the Holy Cross in Constantinople, https://openaccess.city.ac.uk/id/eprint/23941/ [accessed 1 August 2020]. 26 Knott 2005, 21. 27 Vertovec 2004.