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hande Birkalan-Gedik | muslim | martyr | masculine
ErdoÄźan referenced historical events from Gallipoli and from the War of
Independence with the hopes that the “contra-coup” becomes associated
with the Kemalist victories.
The pro-AKP newspaper Yeni Ĺžafak (The New Dawn) published brief biogra-
phies of those who were killed in a series named “Album of Martyrdom.”
Yeni Şafak’s photo album showed men (it is almost always men) on top of a
tank, adopting a rather phallic pose; some of them making hand gestures
used by the ultra-nationalist Grey Wolves as a greeting, with the little fin-
ger and index finger raised, but the middle and ring finger closed, touch-
ing the thumb. Another man’s raised index finger signifies a more religious
gesture of “shahada,” that is the witness who confirms the “unity” of God
and acknowledges that Muhammed is His prophet. Shada is the root of the
word “şehit” as it is used in Turkish for martyr.
New Places of Memory
After the attempted coup, several monuments have been erected to cele-
brate the “victory” of the evening of 15 July 2016. Considering the limited
scope of this paper, I will present a brief analysis of two monuments: first,
the monument of 15 July Martyrs next to the formerly Bosphorus Bridge,
which was renamed the 15 July Martyrs’ Bridge, on the Asian side.
The round shape of the monument is a reference to “unity, oneness, and
togetherness. It is a celebration of the Turkish nation as one.” One news-
paper presented the declarations of the president and noted that a dome
https://www.yeniasir.com.tr/cumartesi/2017/07/15/15-temmuz-
fotograflari-81-ilde-vatandasla-bulusuyor
[accessed on 2 November 2018]
Limina
Grazer theologische Perspektiven, Volume 2:1
- Title
- Limina
- Subtitle
- Grazer theologische Perspektiven
- Volume
- 2:1
- Editor
- Karl Franzens University Graz
- Date
- 2019
- Language
- German
- License
- CC BY-NC 4.0
- Size
- 21.4 x 30.1 cm
- Pages
- 194
- Categories
- Zeitschriften LIMINA - Grazer theologische Perspektiven