Page - 17 - in Limina - Grazer theologische Perspektiven, Volume 3:2

17 | www.limina-graz.eu LIMINA 3:2 | Digital Transformation | Editorial More and more, spiritual and religious practices enter the world of social media and thus undergo transformation. Viera Pirker analyses a Roman- Catholic Instagram account as an example. The starting point of her re- search is the reconstruction of a single image posted on this account to peel back the layers of its visual and communicative structure. Eugen Dolezal and Moritz Windegger explore the relation and intersection between artificial intelligence and human creativity: In a bold and remark- able endeavour, the German Telekom completed Beethoven’s Symphony No. 10, the so-called “unfinished symphony”, with the help of algorithms and Artificial Intelligence. But does such a composition constitute art? Tak- ing Walter Benjamin’s thoughts as a departure point, this article attempts to define a set of qualitative criteria that distinguish artistic creations by humans from AI products. The preservation of human cultural heritage, for example in museums and archives, is an important societal responsibility. But what happens to digital products? Are established categories such as the boundary between authen ticity and reproduction still valid in a digital age? Chiara Zuanni rounds off the digital debate in this special issue by seeking answers to these questions and highlighting how our approach to digital objects can influence our understanding of cultural heritage and its preservation. We hope you find our articles interesting and engaging and that LIMINA can be an enriching resource for you. Please register on limina-graz.eu for more access online. We always welcome feedback, please contact us at redaktion@limina-graz.eu if you have any comments or suggestions. tolle, lege – take up and read Christian Feichtinger and Christian Wessely Issue Editors, on behalf of the editorial team