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Frank G. Bosman | The turning of Turing’s tables
In the year 11945 AD, humankind is involved in a long-standing and desper-
ate proxy war with unknown aliens. Human-made androids, aesthetically
resembling young Japanese men and women, battle relentlessly against
alien-built machine men, who have the crude forms of a child’s drawing of
what is believed to be a robot. While the androids were programmed, just
as the machine men, to lack human emotions and psychological traits, a
number of them seem to have evolved these nevertheless. Two such an-
droids, a female one called 2B and a male one called 9S, develop feelings
for one another, although they are very hesitant in showing this because
of their fear of being rebooted to an earlier mental state, erasing the emo-
tional attachment they have developed.
Eventually, on Earth, the two come across a collapsed building, that has
smashed itself hundreds of metres into the ground. At the bottom the an-
droids witness a particularly ‘mature’ scene in which multiple machine
men are engaged in what appears to be human-inspired sexual intercourse,
including the ‘missionary’ and ‘69’ positions. Although their crude phys-
iology prevents them from performing any ‘regular’ sexual acts, the as-
sociation with fertility and child-bearing is present as one of the machine
men is rocking a cradle-like object while uttering – in a very stereotypical
robotic voice – “Child. Child. Child.” The other ones use similar phrases
connected to love, sex, and parenting, like “My love, my love”, “Together
forever, together forever”, “Carry me, carry me”, “Feed me, feed me”, and
“Love, love, love”.
While the female android remains silent during this particular scene, the
male 9S strongly repudiates the mechanical contraptions and their peculiar
behaviour. He comments to 2B, as if he can read her mind in attributing
human emotions to them: “They don’t have any feelings. They just imitate
human speech. Let’s take them out.” But the battle between the two an-
droids and the machine men only takes place after the provocation of a new
individual machine man, arriving newly on the scene.
This little encounter is taken from the game Nier: Automata (2017), or more
specifically from the main mission “The Machine Surge”. The game’s sto-
ry – among other things – revolves around the idea of conscious robots, the
path towards achieving such, and the a priori conditions necessary to identify
someone – or something – as such. It is not without reason that later on in the
game, the player encounters Pascal (mission “Machine Recon”), a pacifist
machine man who tries to live in peace with the androids, while he is reading
the Pensées (2008 [1670]) by his namesake, and quoting from Nietzsche’s
Also sprach Zarathustra (2007 [1883–1885]).
Limina
Grazer theologische Perspektiven, Volume 3:2
- Title
- Limina
- Subtitle
- Grazer theologische Perspektiven
- Volume
- 3:2
- Editor
- Karl Franzens University Graz
- Date
- 2020
- Language
- German
- License
- CC BY-NC 4.0
- Size
- 21.4 x 30.1 cm
- Pages
- 270
- Categories
- Zeitschriften LIMINA - Grazer theologische Perspektiven