Web-Books
in the Austria-Forum
Austria-Forum
Web-Books
Zeitschriften
LIMINA - Grazer theologische Perspektiven
Limina - Grazer theologische Perspektiven, Volume 3:2
Page - 256 -
  • User
  • Version
    • full version
    • text only version
  • Language
    • Deutsch - German
    • English

Page - 256 - in Limina - Grazer theologische Perspektiven, Volume 3:2

Image of the Page - 256 -

Image of the Page - 256 - in Limina - Grazer theologische Perspektiven, Volume 3:2

Text of the Page - 256 -

256 | www.limina-graz.eu Chiara Zuanni | Heritage in a digital world References ACHS – Association of Critical Heritage Studies (2012), Manifesto. https://www.critical- heritagestudies.org/history [05.06.2020]. Alaimo, C. / Kallinikos, J. (2017), Computing the everyday. Social media as data platforms, Information Society 33, 4, 175–191. DOI: 10.1080/01972243.2017.1318327. Anderson, B. (1991), Imagined communities. Reflections on the origin and spread of na- tionalism, London: Verso. Ascherson, N. (2000), Editorial, Public Archaeology 1, 1, 1–4. Barad, K. (2003), Posthumanist Performativity. Toward an Understanding of How Mat- ter Comes to Matter, Signs: Journal of Women in Culture and Society 28, 3, 801–831. DOI: 10.1086/345321. Barad, K. (2007), Meeting the Universe Halfway. Quantum physics and the entanglement of matter and meaning, Durham: Duke Univ. Press. Baudrillard, J. (1994), Simulacra and simulation, Ann Arbor: Univ. of Michigan Press. Beale, G. / Schofield, J. / Austin, J. (2018), The Archaeology of the Digital Periphery. Com- puter Mice and the Archaeology of the Early Digital Era, Journal of Contemporary Archae- ology 5, 2. DOI: 10.1558/jca.33422. Benjamin, W. (2006), The work of art in the age of mechanical reproduction [1935], in: Morra, J. / Smith, M. (eds.), Visual Culture. Critical Concepts in Media and Cultural Stud- ies, London: Routledge (Experiences in Visual Culture 4), 137–144. Bennett, J. (2010), Vibrant matter. A political ecology of things, Durham, NC: Duke Univ. Press. Bennett, T. (1995), The birth of the museum. History, theory, politics, London: Routledge. Bonacchi, C. (2012), Archaeology and digital communication. Towards strategies of pub- lic engagement, London: Archetype Publ. Bourdieu, P. (1984), Distinction. A social critique of the judgement of taste, London: Routledge. Bourdieu, P. / Darbel, A. / Schnapper, D. (1991), The love of art. European art museums and their public, Cambridge: Polity. Bruns, A. (2019), After the ‘APIcalypse’. Social media platforms and their fight against critical scholarly research, Information, Communication & Society 22, 11, 1544–1566. DOI: 10.1080/1369118X.2019.1637447. Burgess, J. et al. (2017), Platform studies. The rules of engagement, Association of In- ternet Researchers Annual Conference (AoIR 2016, October). https://eprints.qut.edu. au/107070/ [02.10.2020]. Cameron, F. (2007), Beyond the cult of the replicant. Museums and historical digital ob- jects: Traditional concerns, new discourses, in: Cameron, F. / Kenderdine, S. (eds.), The- orizing Digital Cultural Heritage. A Critical Discourse, Cambridge, MA: MIT Press, 49–75. Díaz-Guardamino, M. / Morgan, C. (2019), Human, Transhuman, Posthuman Digital Archaeologies. An Introduction,  European Journal of Archaeology  22, 3, 320–323. DOI: 10.1017/eaa.2019.26.
back to the  book Limina - Grazer theologische Perspektiven, Volume 3:2"
Limina Grazer theologische Perspektiven, Volume 3:2
Title
Limina
Subtitle
Grazer theologische Perspektiven
Volume
3:2
Editor
Karl Franzens University Graz
Date
2020
Language
German
License
CC BY-NC 4.0
Size
21.4 x 30.1 cm
Pages
270
Categories
Zeitschriften LIMINA - Grazer theologische Perspektiven
Web-Books
Library
Privacy
Imprint
Austria-Forum
Austria-Forum
Web-Books
Limina