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66 Mobile Culture Studies. The Journal 3 2o17
Agata Stanisz | Tractor unit acoustemology
Finally, some acoustic changes in tunnels, on bridges, under flyovers, on ferries, platforms,
pastures, large parking lots, inside foundries or steelmaking plants.
To make it simpler, what constitutes this ambience are noises and buzzes, popularly and
ecologically deemed as undesired, polluting the acoustic environment, the symptom of a lo-fi
soundscape (Schefer 1977). But this is exactly the factor decisive about the immersion in the
field.
Each space has an acoustic dimension which co-creates its specific nature. However, the at-
mosphere of a given space or place is not created by sound itself. In order to feel the atmosphere
and then understand it, one needs a multisensual experience and know the social, cultural and
historical meanings inherent to it. The feeling, immersion and experiencing are not sufficient
for a researcher. One cannot exist without the other: cultural mechanisms cannot be adequately
described and explained without being experienced with many senses. On the other hand, such
multisensual experience cannot be interpreted without the knowledge of its context. Applying
the method of immersive ethnography in the case of my studies, whose direction was mainly
established with this noise characteristic for this context, would not be complete without tak-
ing into consideration light, colors, smells, bodily experiences, movement, vibration, ways of
moving, talking and communicating. All of this constituted the data which, firstly, co-create
fieldwork knowledge, and secondly and consequently, co-create scientific/anthropological
knowledge. Ambiences always produce a blend of synesthesia proprioception, a complex mix-
ture of perception, impressions and emotions. They are always closely linked to the connection
between sensations and socially and culturally conditioned expression.
Ambiance can be defined as a time-space form of a sensory point of view. It is related to
feeling a place. Every ambiance produces a specific way of manifesting and expressing meanings
and values in a material/physical presence of certain things, embodied in types of behavior,
coexistence in a defined space and undertaking there certain activities. Thus, ambiance is at
the same time subjective and objective: it includes the experiences of people, but also creates
a context for their lives, daily activities, temporary or permanent situations (Thibaud 2011).
The acoustics of drivers’ mobile workplaces is co-created by physical non-human elements
such as electronic devices of any kind. Their sonorousness is comprised of sound alarmsÂ
ofÂ
cell-
phones, voices and beeping of GPSs, sounds of tachographs, seat belt alarms, screeches, hums
from laptops, tablets, communication systems and pagers, beeping of all types of identifiers,
debit or loyalty cards, various indicator lights or cruise controls.
Audio file 14: GPS crash. Hamburg, Germany, 2011-08-19.
https://app.box.com/embed/preview/376js7smcakyopkznpni?theme=dark
Mobile Culture Studies
The Journal, Volume 3/2017
- Title
- Mobile Culture Studies
- Subtitle
- The Journal
- Volume
- 3/2017
- Editor
- Karl Franzens University Graz
- Location
- Graz
- Date
- 2017
- Language
- German, English
- License
- CC BY 4.0
- Size
- 21.0 x 29.7 cm
- Pages
- 198
- Categories
- Zeitschriften Mobile Culture Studies The Journal