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124 Mobile Culture Studies. The Journal 3 2o17
Patrick Naef | Using mobility and urban planning to implement atmosphere
of perception, stressing that they are primary âobjectsâ of perception: âWhat is first and immedi-
ately perceived is neither sensations, nor shapes or objects or their constellations.â (1993, 125). In
addition to these elements of definition, atmosphere is considered here as a confluence between
senses, emotions and symbolic meaning (Philippopoulos-Miahalopoulos, as cited in Trigg
2016). Moreover, it is also fundamental to mention, as does Adey (2014) relying on Böhmeâs
theories, that atmospheres are created by things, persons or their constellations. Taking this
idea further and considering it as a security mechanism, Adey suggests that atmospheres can
be engineered. This reflection will focus precisely on these processes of atmosphere making or
engineering. Atmospheres will also generally be considered in plural form; diverse atmospheres
can be associated with a place, depending on the contexts and peopleâs various perceptions.
Furthermore, different people, whether stakeholders, inhabitants or users, contribute to âmodelâ
different atmospheres, considered by Michels (2015, 259) as the âaffective capacities of material
componentsâ: âThese processes comprise the professional work of designers and artists as much
as everyday practices.â
Jean-Paul Thibaud (2013), using the French word âambianceâ, which captures the notion
of âatmosphereâ (Duarte, 2013), presents it as an increasingly important issue in urban trans-
formations. He also acknowledges the importance of the inhabitants and everyday practices
in what he qualifies as âmise en ambianceâ (literally âatmosphere settingâ): âOne should not un-
derestimate the continuous and ordinary production of urban atmosphere by city-dwellers.
Indeed, one of the lessons that âatmosphereâ can teach us, is that a lived-in space is by no means
the simple result of the reception of conceived spaces.â (Thibaud 2013, 15). For Thibaud, the
progressive integration of atmospheres in architecture and urban planning goes beyond a mere
effect of postmodern sentimentalism; focusing on the processes, conditions and modalities of
its production could prefigure a âpolitical ecology of atmosphereâ, thus deconstructing the role
of aesthetics in public spaces. Following this approach, Thomas (2012, 47) proposes a sensitive
criticism of urban space that brings into question what she refers to as an âideology of sharingâ
institutionalized by what she considers as the âpacified cityâ or the âsanitized cityâ: âwell-ordered,
monitored, securitized, the pacified city would then insure the tranquillity of city-dwellers and
the protection of the common good. More than objectives in terms of âenvironmental healthâ
or conviviality, it would tend to put âunder protectionâ contemporary urban society.â Soulier
(2012) talks about the âsterilizationâ of the streets when he reviews the excess of signage and pro-
tection in the public space in France. He shares in part Thomasâs vision of urban sanitization,
both scholars seeing new forms of hygienism in urban development in recent decades.
In this context, an approach that includes atmospheres in the consideration of public space
promotes a critical perspective, âan apprehension of the urban world as always perfectible, a
constant way of questioning âwhat existsâ and âwhat should happenââ. (Thomas 2012, 50)
Therefore, the notion of âatmosphereâ used in this analysis enables us to empirically evaluate
how urban planners and public authorities may challenge what is conceived of as the âsterilizati-
onâ or the âsanitizationâ of public space. Viewing place-making through the lens of âatmosphereâ
can bring new insights into these dynamics. The process of âatmosphere makingâ can indeed
offer novel perspectives on the use and the appropriation of public space by city dwellers. First,
it is important to bear in mind that âatmosphere makingâ proceeds from the interactions bet-
ween users and planners and, secondly, that diverse atmospheres may be uncovered, depending
Mobile Culture Studies
The Journal, Volume 3/2017
- Title
- Mobile Culture Studies
- Subtitle
- The Journal
- Volume
- 3/2017
- Editor
- Karl Franzens University Graz
- Location
- Graz
- Date
- 2017
- Language
- German, English
- License
- CC BY 4.0
- Size
- 21.0 x 29.7 cm
- Pages
- 198
- Categories
- Zeitschriften Mobile Culture Studies The Journal