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Souley Hassane | Mainstream Media vs. Ethnic Minority Media
118
and employer of millions of workers of African descent, also controls Channel
TF1. Vincent Bolloré exploits transportation networks in Africa and is a
vendor of cocoa, coffee, rubber, palm oil and wood. The activities of his 70
companies in Africa are the source of his wealth. A friend of president
Sarkozy, he has invested 10% of his assets in various mass media.1 The
mainstream media, then, are a sphere involving huge amounts of capital and
occupy a central position in the world of business (Observatoire français des
media 2005, p. 95-96).
In the face of such an audiovisual landscape controlled exclusively by
large-scale corporations, the media of the minorities, more often referred to as
“community media” (or as the media of ethnic minorities), have been active
since 2000. These are media created by French people of foreign origin, not to
be confused with foreign media in France. Today, there are hundreds of such
magazines, FM radio stations, Internet radio stations, and Internet television
stations in France. Compared to the mainstream media, their capital, which
varies from 400 to 4000 euros, is practically negligible. The owners are
individuals, groups, associations or small publishing houses. Even so, they are
far from inefficient. They make information in reaction to the monologue or
monopoly of the dominant forms of information and, in particular, to contest
their own negative representation in the mainstream media. Minority media are
the consequence of a rejection of information from a direction that makes
French people of foreign origin the anti-heroes of the ‘news-in-brief’ columns,
of violence, or of fundamentalism. Such mainstream media reports are often
1 Compare Daniel Sauveget: „Vincent Bolloré: l’ex-roi du papier à cigarettes, nouvel
empereur des médias?“, November 17, 2004. One can read here: „1. Audiovisual
production and provisions since the privatization of SFP (2001), acquisition made
with Euromédia: Bolloré holds 30% of the SFP, Euromédia 70% – but Bolloré
possessses 24% of Euromédia. The group Euromédia Télévison (EMT) have the
studios of Saint-Denis and of Arpajon, and run the previous studios of the
Victorine in Nice. SFP has its studios Bry sur Marne, Saint Ouen, and Boulogne-
Billancourt as well as its power of reporting and filming. 2. VCF (Video
Communication de France), resold in 2003: technical provisions. 3. Streampower:
video and Internet. 4. A movie theater in Paris, the Mac Mahon. 5. Direct 8,
digital television station currently being created, approved by the CSA within the
grouping of free digital channels (director: Philippe Labro), and specializing in
direct broadcast, as its name implies. 6. RNT, (la Radio des Nouveaux Talents),
AM radio and Internet created in 2004. 7. 10% of Gaumont, TV and cinema
production, distribution and exploitation. 8. A small percentage of RCS Media, in
Italy – but Bolloré also holds shares in the bank Mediobanca which plays an
important role in the reorganization of the press section of Rizzoli-Corriere della
Sera. 9. More than 22% (end of October) of Havas, an advertising group detached
from Vivendi after the fusion of the no longer existing group Havas with
Vivendi.“
Media – Migration – Integration
European and North American Perspectives
- Title
- Media – Migration – Integration
- Subtitle
- European and North American Perspectives
- Authors
- Rainer Geissler
- Horst Pöttker
- Publisher
- transcript Verlag
- Date
- 2009
- Language
- English
- License
- CC BY-NC-ND 3.0
- ISBN
- 978-3-8376-1032-1
- Size
- 15.0 x 22.4 cm
- Pages
- 250
- Keywords
- Integration, Media, Migration, Europe, North America, Sociology of Media, Sociology
- Category
- Medien