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preface
ible during the strike on social media, were singled out by the
university and charged with complaints regarding the Code of
Student Rights and Responsibilities. The students responded by
establishing a Twitter handle (@8Defend), a FaceBook presence,
and a website, “Defend Student Activists at York U!,” where
statements of support, a petition, a “GoFundMe” campaign,
and information about events could be accessed. The five PhD
union members were then confronted with a lengthy, punitive
tribunal process controlled at every level by the administration,
something they took the university to court over. On June 18,
2019, the Ontario Supreme Court ruled in favor of the students
and quashed the sanctions that the tribunal had tried to impose
on them, finding that York did not have jurisdiction to use the
student code to discipline student-employees for actions related
to their employment and that their rights to procedural fairness
and natural justice had been violated in the process of the tri-
bunal.
The three goals for this project come from the experience of
the 2018 CUPE strike and its aftermath. My first goal is to provide
“a guide for navigating the distrust and loneliness of capitalism”
(@antalalakam, Aug 21, 2018). One of the Reclamationists un-
derscored the need for such a thing in a tweet during the trau-
matizing remediation period that followed the end of the strike
as the Employer implemented punitive policies to make the lives
of the first- and second-year CUPE graduate students, who had
held out against them, as difficult and uncertain as possible.
Given Boltanski and Chiapello’s assessment over a decade ago of
“virtual stagnation when it comes to establishing mechanisms
capable of controlling the new forms of capitalism and reducing
their devastating effects” (2007, xvi), and the perceived need for
what Émile Durkheim called “collective effervescence,” that is,
“the energy that people share when they’re bound together by a
common focus, especially if it includes some challenge” (Mann
2018), it seems more important than ever for academic work to
function as this kind of guide.
My second goal comes from my work in Urban Studies and
is a response to Matt Hern’s important question in What a City
back to the
book Siting Futurity - The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna"
Siting Futurity
The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Title
- Siting Futurity
- Subtitle
- The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Author
- Susan Ingram
- Publisher
- punctumbooks
- Location
- New York
- Date
- 2021
- Language
- English
- License
- CC BY-NC-SA 4.0
- ISBN
- 978-1-953035-48-6
- Size
- 12.6 x 20.2 cm
- Pages
- 224
- Keywords
- activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna
- Category
- Geographie, Land und Leute
Table of contents
- Preface 11
- Introduction 19
- 1. (Re)Forming Vienna’s Culture of Resistance: The Proletenpassions @ #Arena 39
- 2. Converting Kebab and Currency into Community on Planet #Ottakring 57
- 3. Lazarus’s Necropolitical Afterlife at Vienna’s #Volkstheater 81
- 4. Hardly Homemad(e): #Schlingensief’s Container 101
- 5. From Grand Hotels to Tiny Treasures: Wes Anderson and the Ruin Porn Worlds of Yesterday 119
- 6. Capitalism, Schizophrenia, and #Vanlife: The Alpine Edukation of Hans Weingarter 143
- 7. #Hallstatt: Welcome to Jurassic World 161
- Bibliography 189
- Filmography 215