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siting futurity
minder of the incursions global capital has been able to make
into Vienna’s politically protected cityscape.9
My project thus nuances Saskia Sassen’s concept of tactical
urbanism into a kind of tactical culturalism. If “[t]actical urban-
ism can find diverse spaces in such cities, spaces that might have
been previously submerged, invisible, or without voice” (Sassen
2018), tactical culturalism describes diverse cultural projects
that enliven the histories of urban places and make space for
the voices of radical pasts that are, for the most part, ignored
or dismissed by scholars and other cultural practitioners inter-
ested in more elite forms of culture and therefore for the most
part unknown both outside of Vienna and in Austrian and Ger-
man Studies. Which brings us to the challenges of working on
Vienna and its environs, especially for someone who does not
self-identify as an Austrian or even as a German Studies scholar.
Rather, my academic background is in Comparative Literature
and my post-national focus here is on not Austria but Vienna.
While the Humanities program I am in is, at the time of writ-
ing, in the process of being “rethought” in response to much
the same kind of woes facing national language, literature, and
culture programs,10 its wide-ranging approaches distance them-
selves from the “regressive territorial language” and “attach-
ment to the soil” that Latour identifies as a key aspect of the
anti-climate change discourse and that remain a key orientation
9 How much longer this remains true is admittedly a question. Vienna’s
status as a UNESCO world heritage site is once again imperiled, this time by
a development at the Heumarkt in the inner city that threatens to include
high rises that would mar the city’s postcard-perfect profile. Previous
threats of tall constructions have been defeated, such as the book tower
that was proposed for the Museumsquartier, or limited to the city’s periph-
ery, such as UNO City on the Danube, the Hundertwasser smokestack at
the Economic University (WU), and the new development in the twenty-
second district. All are far enough away from the center that UNESCO does
not feel they blemish the city’s historical core.
10 For a reasonably up-to-date discussion of these issues by prominent
scholars in the United States, United Kingdom, and Austria, see the special
section entitled “Forum: Austrian Studies” in The German Quarterly 89,
no. 2 (Spring 2016): 221–39.
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book Siting Futurity - The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna"
Siting Futurity
The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Title
- Siting Futurity
- Subtitle
- The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Author
- Susan Ingram
- Publisher
- punctumbooks
- Location
- New York
- Date
- 2021
- Language
- English
- License
- CC BY-NC-SA 4.0
- ISBN
- 978-1-953035-48-6
- Size
- 12.6 x 20.2 cm
- Pages
- 224
- Keywords
- activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna
- Category
- Geographie, Land und Leute
Table of contents
- Preface 11
- Introduction 19
- 1. (Re)Forming Vienna’s Culture of Resistance: The Proletenpassions @ #Arena 39
- 2. Converting Kebab and Currency into Community on Planet #Ottakring 57
- 3. Lazarus’s Necropolitical Afterlife at Vienna’s #Volkstheater 81
- 4. Hardly Homemad(e): #Schlingensief’s Container 101
- 5. From Grand Hotels to Tiny Treasures: Wes Anderson and the Ruin Porn Worlds of Yesterday 119
- 6. Capitalism, Schizophrenia, and #Vanlife: The Alpine Edukation of Hans Weingarter 143
- 7. #Hallstatt: Welcome to Jurassic World 161
- Bibliography 189
- Filmography 215