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introduction
October 1848 to the uprising in Ottakring on September 17,
1911 (cf. Maderthaner and Musner) to the riots in July 1927,
during which the Palace of Justice was set on fire. (Ingram
and Reisenleitner 2013, 63)
A proper appreciation of the length and strength of Vienna’s
radicality can actually be dated back much further, at least as
far as the Wiener Neustädter Blutgericht (Blood Court of Wiener
Neustadt) of 1522, a show trial of strength put on by Archduke
Ferdinand, who had been awarded the Austrian lands at the
Diet of Worms the previous year (the one at which Martin Lu-
ther was declared a heretic). Ferdinand wanted to put an end to
the Ständeregierung [estate-led government] that opposed him.
To that end he had Viennese mayor Martin Siebenbürger and
seven others (two nobles and five commoners) executed, all of
whom had been part of the revolutionary movement that had
chased the Habsburg regiment out of Vienna after the death of
Maximilian I in 1519. The corpses were then brought to Vien-
na, where, in a macabre display of sovereign humor, they were
displayed at the city’s Fleischmarkt [meat market].17 Fiddler’s
national focus thus sweeps Vienna’s extraordinary history of
protest and political action under the carpet, making it seem as
though the resistance she analyses in works that are mostly from
and about Vienna did not build on a long history but sprang
fully formed from the head of a mythical god in the early 1990s
in response to the rise of Jörg Haider’s FPÖ.18
17 For greater detail, see Winkler 2010 and “Wien Geschichte Wiki” n.d.
18 The one study Fiddler cites, Robert Foltin’s Und wir bewegen uns doch:
Soziale Bewegungen in Österreich [Actually We Do Move: Social Movements
in Austria], is an excellent resource but also one limited to contemporary
history [Zeitgeschichte]. Its thirty-eight-page historical chronology begins
with the founding of the second Austrian Republic on April 27, 1945 and
continues through to a strike of railway employees in November 2003
against the privatization and dismantling of the ÖBB as well as incursions
on workers’ rights (Foltin 2004, 283–311). A perusal of Maderthaner 2018,
Maderthaner and Musner 1999, and Ebner and Vocelka 1998 will also
familiarize readers with the more recent history of protest culture in the
city.
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book Siting Futurity - The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna"
Siting Futurity
The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Title
- Siting Futurity
- Subtitle
- The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Author
- Susan Ingram
- Publisher
- punctumbooks
- Location
- New York
- Date
- 2021
- Language
- English
- License
- CC BY-NC-SA 4.0
- ISBN
- 978-1-953035-48-6
- Size
- 12.6 x 20.2 cm
- Pages
- 224
- Keywords
- activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna
- Category
- Geographie, Land und Leute
Table of contents
- Preface 11
- Introduction 19
- 1. (Re)Forming Vienna’s Culture of Resistance: The Proletenpassions @ #Arena 39
- 2. Converting Kebab and Currency into Community on Planet #Ottakring 57
- 3. Lazarus’s Necropolitical Afterlife at Vienna’s #Volkstheater 81
- 4. Hardly Homemad(e): #Schlingensief’s Container 101
- 5. From Grand Hotels to Tiny Treasures: Wes Anderson and the Ruin Porn Worlds of Yesterday 119
- 6. Capitalism, Schizophrenia, and #Vanlife: The Alpine Edukation of Hans Weingarter 143
- 7. #Hallstatt: Welcome to Jurassic World 161
- Bibliography 189
- Filmography 215