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(re)forming Vienna’s culture of resistance
city’s social and cultural infrastructure, the modernist-minded
city was now proposing to turn the main thoroughfare into the
city center from the west (the Wienzeile) into a highway and de-
stroy the city’s central Naschmarkt and the Otto Wagner Bridge
in the Gumpendorfer Straße in the process (Höllerl and Span-
bauer 2012b, 107). At the same time, the Arena, which had in
the meantime established itself as a highly popular part of the
Wiener Festwochen and had the previous summer moved out
to the spacious slaughterhouse in St. Marx, learned that its new
home, which had been abandoned since the mid-1960s, was
about to be sold and demolished. Thanks to the attention its
Festwochen performances had attracted the previous summer,
the city had been able to find a buyer for the slaughterhouse in
the form of the Schöps clothing company, whose owner, Leo-
pold Böhm, was discovering that real estate was a much better
business to be in than clothing.8 Böhm’s plan was to tear down
the slaughterhouse and erect a large wholesale textile center on
the site, and the city was clearly going to support him.9 How-
8 As one of his obituaries has it, “[e]ine Karriere wie aus dem Bilderbuch:
1954 übernahm Leopold Böhm die Firma seines Onkels Richard Schöps
und expandierte in ganz Österreich. Ähnlich dem Billa-Gründer Karl
Wlaschek eröffnete er ein Geschäft nach dem anderen, bis die Marke
in ganz Österreich bekannt war. […] Das wirklich große Geld machte
Böhm allerdings mit Immobilien. Branchenkenner schätzen seinen Besitz
auf 30 bis 40 Immobilien. […] Der ‘Trend’ führte Böhm 2006 sogar auf
Rang 34 der 100 reichsten Österreicher.” [“A picture-perfect career: [i]n
1954, Leopold Böhm took over the company of his uncle, Richard Schöps,
and expanded throughout Austria. Like Billa-founder Karl Wlaschek he
opened one store after the other until the brand was known in all of Aus-
tria. […] However, he really made his money in real estate. Experts in the
field estimated he owned 30 to 40 properties. […] In 2006 [the year before
his death], “Trend” ranked him at 34 among the richest 100 Austrians”]
(“Schöps-Gründer Leopold Böhm tot” 2007).
9 There is reason to suspect this deal was not completely above board:
“mit großer Selbstsicherheit und trotz der Aufdeckung — zurückhaltend
formuliert — problematischer Machenschaften rund um den Verkauf des
Geländes an die Firma Schöps reagierten die Rathausverantwortlichen
mit Hinhaltetaktik und schikanösem Verhalten, das auch die von den
BesetzerInnen als ‚Kulturmutti‘ apostrophierte Stadträtin nicht kompen-
sieren konnte.” [“With great self-confidence and despite the discovery
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book Siting Futurity - The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna"
Siting Futurity
The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Title
- Siting Futurity
- Subtitle
- The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Author
- Susan Ingram
- Publisher
- punctumbooks
- Location
- New York
- Date
- 2021
- Language
- English
- License
- CC BY-NC-SA 4.0
- ISBN
- 978-1-953035-48-6
- Size
- 12.6 x 20.2 cm
- Pages
- 224
- Keywords
- activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna
- Category
- Geographie, Land und Leute
Table of contents
- Preface 11
- Introduction 19
- 1. (Re)Forming Vienna’s Culture of Resistance: The Proletenpassions @ #Arena 39
- 2. Converting Kebab and Currency into Community on Planet #Ottakring 57
- 3. Lazarus’s Necropolitical Afterlife at Vienna’s #Volkstheater 81
- 4. Hardly Homemad(e): #Schlingensief’s Container 101
- 5. From Grand Hotels to Tiny Treasures: Wes Anderson and the Ruin Porn Worlds of Yesterday 119
- 6. Capitalism, Schizophrenia, and #Vanlife: The Alpine Edukation of Hans Weingarter 143
- 7. #Hallstatt: Welcome to Jurassic World 161
- Bibliography 189
- Filmography 215