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55
(re)forming Vienna’s culture of resistance
ticipation in all decision-making and communal respect.27 As
an event, the Arena brought people from very different walks of
life but with shared social ideals and goals together in the same
space and gave them visibility. The graffiti-like logo served as a
brand and created momentum that is still available to be tapped
into:
[I]t would be easy to dismiss the entire movement as the na-
ïve dream of a well-fed generation without much immedi-
ate responsibility. But this would be to do it an injustice. The
Arena occupation and its offshoots proved to be of lasting
significance for the schnitzel-stuffed city that begot them.
The occupiers lost their battle: the Auslands-abattoir was
demolished. But they won the war, with Chancellor Bruno
Kreisky later admitting that the city did indeed need an alter-
native cultural centre and a permanent venue for other than
traditional entertainment; the neighbouring Inlands-abattoir
was set aside for just that purpose, which it retains to this day.
The Rosa Lila Villa still provides support and advice for gays
and lesbians; the Ernst Kirchweger Haus still welcomes mi-
grants and refugees; the WUK (Werkstätten- und Kulturhaus)
still operates as a community cultural centre […] Not least,
you’re now allowed to sit on the grass in the Burggarten.
So maybe it’s true: If you believe you can make a differ-
ence, and you believe it hard enough, sometimes you really
can. (V. Buckley 2012)
As we see in the next chapters, this “feel good” spirit of empha-
sizing small victories and turning places not only into symbolic
sites but also into institutions like the Arena that provide for
marginal groups that would otherwise fall through the cracks of
the city’s cumbersome bureaucratic apparatus, continues to be
alive and well. These institutions draw on, and at the same time
27 The misogyny of the “Rockers,” a motorcycle gang that was part of the
initial occupation, led to conflicts with the rest of the community and their
expulsion (Mesner 2012, 61).
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book Siting Futurity - The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna"
Siting Futurity
The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Title
- Siting Futurity
- Subtitle
- The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Author
- Susan Ingram
- Publisher
- punctumbooks
- Location
- New York
- Date
- 2021
- Language
- English
- License
- CC BY-NC-SA 4.0
- ISBN
- 978-1-953035-48-6
- Size
- 12.6 x 20.2 cm
- Pages
- 224
- Keywords
- activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna
- Category
- Geographie, Land und Leute
Table of contents
- Preface 11
- Introduction 19
- 1. (Re)Forming Vienna’s Culture of Resistance: The Proletenpassions @ #Arena 39
- 2. Converting Kebab and Currency into Community on Planet #Ottakring 57
- 3. Lazarus’s Necropolitical Afterlife at Vienna’s #Volkstheater 81
- 4. Hardly Homemad(e): #Schlingensief’s Container 101
- 5. From Grand Hotels to Tiny Treasures: Wes Anderson and the Ruin Porn Worlds of Yesterday 119
- 6. Capitalism, Schizophrenia, and #Vanlife: The Alpine Edukation of Hans Weingarter 143
- 7. #Hallstatt: Welcome to Jurassic World 161
- Bibliography 189
- Filmography 215