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siting futurity
That said, one cannot discount the influence of religion in
Viennese culture-clash films. Another reason the Turkish pro-
tagonists are presented as Turkish and not Turkish-Austrian is
because Austrians are presumed to be Christian, something one
sees by turning to Herrgott für Anfänger [Learning to Pray for
Beginners] (2017, dir. Sascha Biglar), in which a secular Muslim
taxi-driver with a Turkish background is given the opportunity
to inherit a Heuriger (a restaurant-type establishment associ-
ated with a vineyard) in Grinzing from one of his devoted cus-
tomers if he converts to Christianity and has himself baptized,
something his lack of faith in any religion ends up preventing.
Rather, after many convoluted plot twists, he is “saved” by the
discovery of jewels in the back of his taxi, which allows him to
buy the Heuriger anyway. The film ends with a “comedic” flour-
ish and the now former taxi-driver discovering Buddhism from
some of the Heuriger’s customers.
What becomes evident in this discussion is how replaceable
Ottakring is as a location in the Kebab films. Just as the Catho-
lic presence that drives Herrgott für Anfänger is not specific to
Grinzing, the Kebab films could just as easily be set in Vienna’s
fifth or tenth districts, where coffeeshops coexist uneasily with
Döner shops on many street-corners and squares. Similarly the
Viktor Adler Market in the tenth district could as easily serve as
the backdrop for the fictitious Viktor Frankl Gymnasium in Die
Freischwimmerin as the Brunnenmarkt. There actually is a Prinz
Eugen Hotel in Vienna — not in Ottakring but rather where it
makes historical sense, that is, a few blocks down the Gürtel
from the Belvedere, Eugene’s palace. Indeed, the nickname for
the Ottakringer Strasse, the Balkanmeile [Balkan Mile], points
to the fact that the migrants who come to Ottakring tend to
come from not Turkey but rather the Balkans, something that
statistics show is a long-standing tendency.6 Moreover, as of
6 “Durch eine Extrapolation der für ganz Wien ausgewerteten Daten zur
Umgangssprache ergibt sich, dass die ex-jugoslawischen Communities
in Neulerchenfeld 2001 etwa 21,8% und die türkischen bzw. kurdischen
Communities etwa 14,8% der Bevölkerung gestellt haben dürften” [“ex-
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book Siting Futurity - The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna"
Siting Futurity
The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Title
- Siting Futurity
- Subtitle
- The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Author
- Susan Ingram
- Publisher
- punctumbooks
- Location
- New York
- Date
- 2021
- Language
- English
- License
- CC BY-NC-SA 4.0
- ISBN
- 978-1-953035-48-6
- Size
- 12.6 x 20.2 cm
- Pages
- 224
- Keywords
- activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna
- Category
- Geographie, Land und Leute
Table of contents
- Preface 11
- Introduction 19
- 1. (Re)Forming Vienna’s Culture of Resistance: The Proletenpassions @ #Arena 39
- 2. Converting Kebab and Currency into Community on Planet #Ottakring 57
- 3. Lazarus’s Necropolitical Afterlife at Vienna’s #Volkstheater 81
- 4. Hardly Homemad(e): #Schlingensief’s Container 101
- 5. From Grand Hotels to Tiny Treasures: Wes Anderson and the Ruin Porn Worlds of Yesterday 119
- 6. Capitalism, Schizophrenia, and #Vanlife: The Alpine Edukation of Hans Weingarter 143
- 7. #Hallstatt: Welcome to Jurassic World 161
- Bibliography 189
- Filmography 215