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siting futurity
of strict rules apply to them. However, 28% of the projects were
completely privately financed” (Riegler 2012).
In reminding viewers of what Ottakring stands for local-
ly — its historical status as Vienna’s prototypical working-class
district, home to its brewery, a famous uprising, and the cem-
etery in which Franz Schuhmeier “was enshrined as a politi-
cal icon of a proletarian suburban culture” (Maderthaner and
Musner 2008, 127) — Riebl’s film champions the alternative the
district stands for: a place of neighbors with built-in checks
and balances, where foreigners, whether from the Balkans or
Germany, are accepted and given both lodgings and work, and
criminals who do harm, such as by selling hard, as opposed to
recreational, drugs, are swiftly made aware of the errors of their
ways. Roughing foreigners up a little is a form of acclimatiza-
tion, and it is only if they do not respond by becoming good
neighbors that they are treated more harshly.
The film’s overarching argument is about internal self-regula-
tion and the district’s ability to provide itself with its own capital.
In fact, it is due to the City of Vienna’s careful regulating of its
housing stock over the course of the twentieth century that the
district has taken the form it has. As scholars of gentrification
such as Johannes Riegler have pointed out, the current phase
of gentrification is merely the latest in a long history of urban
planning: “gentrification, although disguised by terms as urban
renewal and revalorisation, is a governmental strategy for creat-
ing social balance in Brunnenviertel,” seen as necessary given
“the downward trend” in the district and its reputation as a place
of small-time criminals. Riegler finds that “[t]he governmental
strategy chosen was appropriate to do so as it brought impor-
tant impulses and improvements.” However, the effects of this
strategy now need to be reined in as “the different social groups
do not intermingle and mix in public space since both ethnic
groups and the newly arriving people have different places and
corners to meet. The next step has to be to connect the groups
and to foster integration” and prevent “a development towards
an island of middle and upper classes” typical of gentrification
processes.
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book Siting Futurity - The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna"
Siting Futurity
The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Title
- Siting Futurity
- Subtitle
- The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Author
- Susan Ingram
- Publisher
- punctumbooks
- Location
- New York
- Date
- 2021
- Language
- English
- License
- CC BY-NC-SA 4.0
- ISBN
- 978-1-953035-48-6
- Size
- 12.6 x 20.2 cm
- Pages
- 224
- Keywords
- activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna
- Category
- Geographie, Land und Leute
Table of contents
- Preface 11
- Introduction 19
- 1. (Re)Forming Vienna’s Culture of Resistance: The Proletenpassions @ #Arena 39
- 2. Converting Kebab and Currency into Community on Planet #Ottakring 57
- 3. Lazarus’s Necropolitical Afterlife at Vienna’s #Volkstheater 81
- 4. Hardly Homemad(e): #Schlingensief’s Container 101
- 5. From Grand Hotels to Tiny Treasures: Wes Anderson and the Ruin Porn Worlds of Yesterday 119
- 6. Capitalism, Schizophrenia, and #Vanlife: The Alpine Edukation of Hans Weingarter 143
- 7. #Hallstatt: Welcome to Jurassic World 161
- Bibliography 189
- Filmography 215