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Siting Futurity - The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
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125 from grand Hotels to tiny treasures surviving Jugendstil department store in Germany,” which had closed in 2009 (ibid., 66, 67, 69).3 Görlitz proved to be exactly the type of ravaged, Eastern Eu- ropean location Anderson was looking for. A small city in Ger- many’s easternmost district on the German-Polish border, close to the Czech Republic and less than three hours by car from the Babelsberg Studio in Potsdam, where the American-German co-production was based, it was ideally suited to Anderson’s purposes because the quirks of history first allowed it to develop and then prevented its outright destruction while at the same time providing it with considerable patina: “[i]t was beyond the range of the RAF [Royal Air Force] (who gave it the code name Nautilus) and thus not subject to the devastating firebombing meted out to other German cities” (ibid., 68).4 While one arti- cle drily claimed that “Armut ist der beste Denkmalschützer” [“poverty is the best preserver of monuments”] (Heinz 2015), Görlitz has only been poor since it escaped the decimation of nearby Dresden during World War II. Before that, because of its cloth production and location on the ancient and medieval trade route known as the Via Regia, it was a very prosperous town, which is how it came to have the impressive historic in- frastructure it does (Firebrace 2014, 68). Görlitz managed to en- ter the twenty-first century “as though on an ark” with around 4000 “Baudenkmale” [“monumental buildings”] (Heinz 2015), including: [R]emarkable medieval churches and towers, an unusual full-scale reproduction of the Holy Tomb in Jerusalem and a large number of Renaissance and baroque palaces and streets. To the south of the centre is a sizeable nineteenth- century extension, with wide streets, tree-filled squares and 3 Given that Berlin’s Kaufhaus des Westens, which opened in 1907, six years before the Görlitz Kaufhaus, still exists, what I take Firebrace to be claim- ing here is that the Görlitz Kaufhaus is the only one not to have experi- enced extensive damage and restoration. 4 That it was not located in an alpine setting was not a factor, given Ander- son’s propensity for interiors and fantasy landscapes.
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Siting Futurity The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
Title
Siting Futurity
Subtitle
The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
Author
Susan Ingram
Publisher
punctumbooks
Location
New York
Date
2021
Language
English
License
CC BY-NC-SA 4.0
ISBN
978-1-953035-48-6
Size
12.6 x 20.2 cm
Pages
224
Keywords
activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna
Category
Geographie, Land und Leute

Table of contents

  1. Preface 11
  2. Introduction 19
  3. 1. (Re)Forming Vienna’s Culture of Resistance: The Proletenpassions @ #Arena 39
  4. 2. Converting Kebab and Currency into Community on Planet #Ottakring 57
  5. 3. Lazarus’s Necropolitical Afterlife at Vienna’s #Volkstheater 81
  6. 4. Hardly Homemad(e): #Schlingensief’s Container 101
  7. 5. From Grand Hotels to Tiny Treasures: Wes Anderson and the Ruin Porn Worlds of Yesterday 119
  8. 6. Capitalism, Schizophrenia, and #Vanlife: The Alpine Edukation of Hans Weingarter 143
  9. 7. #Hallstatt: Welcome to Jurassic World 161
  10. Bibliography 189
  11. Filmography 215
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