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127
from grand Hotels to tiny treasures
tion it has attracted: “Fakt ist, die Bekanntheit der Stars färbt auf
die Szenerien ab und auf die ganze Stadt, in der allein 2014 vier
neue Hotels eröffnet wurden” [“it is a fact that the high profile
of the stars is rubbing off on the scenery and on the entire town,
in which four new hotels opened in 2014 alone”] (Heinz 2015).
Renovations of the Görlitz Kaufhaus have been announced:
“Ein Investor will aus dem Prachtbau das KaDeO, Kaufhaus
der Oberlausitz, machen. Allerlei Zeichnungen hängen schon
in den Schaufenstern und werden von Passanten entschlüsselt,
ein Schriftzug verspricht „Hier wird renoviert, was Sie morgen
fasziniert“” [“an investor wants to turn the majestic building
into a KaDeO, department store of Oberlausitz” [a reference to
Berlin’s famous KaDeW, Kaufhaus des Westens]. All kinds of
drawings hang in the windows and are decoded by passersby;
a sign promises ‘here is being renovated what will fascinate you
tomorrow’”] (Heinz 2015). If these renovations go ahead, the site
will no longer be as appealing to future filmmakers and their
crews, just as the grand hotels in the Czech Republic did not
have the right kind of decrepitude for Anderson, raising the
question of who exactly it is that investors are imagining will be
the department store’s future customers.
Görlitz’s appeal and struggles are, then, much more akin to
Detroit’s than Hallstatt’s. Both the filmmakers who seek Görlitz
out for location shooting and the tourists who flock there to go
on “Film ab!” [“Rolling!]” tours are drawn by the onscreen im-
ages of the town as a run-down, crumbling, dingy place. In other
words, and not to mince them, Görlitz is finding itself forced to
peddle ruin porn. Most commonly associated with Detroit, the
concept of ruin porn receives masterful analysis in two excellent
books by academics at Detroit’s Wayne State University pub-
lished in the aftermath of Detroit’s declaration of bankruptcy
on July 18, 2013: Beautiful Terrible Ruins: Detroit and the Anxiety
of Decline by Dora Apel in the Art and Art History department
and A Violent Embrace: Art and Aesthetics after Representation
by renée c. hoogland in the English department. Both aim to
understand the mechanisms of ruin porn, the underlying forces
driving its creation, and the political and ethical implications of
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book Siting Futurity - The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna"
Siting Futurity
The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Title
- Siting Futurity
- Subtitle
- The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Author
- Susan Ingram
- Publisher
- punctumbooks
- Location
- New York
- Date
- 2021
- Language
- English
- License
- CC BY-NC-SA 4.0
- ISBN
- 978-1-953035-48-6
- Size
- 12.6 x 20.2 cm
- Pages
- 224
- Keywords
- activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna
- Category
- Geographie, Land und Leute
Table of contents
- Preface 11
- Introduction 19
- 1. (Re)Forming Vienna’s Culture of Resistance: The Proletenpassions @ #Arena 39
- 2. Converting Kebab and Currency into Community on Planet #Ottakring 57
- 3. Lazarus’s Necropolitical Afterlife at Vienna’s #Volkstheater 81
- 4. Hardly Homemad(e): #Schlingensief’s Container 101
- 5. From Grand Hotels to Tiny Treasures: Wes Anderson and the Ruin Porn Worlds of Yesterday 119
- 6. Capitalism, Schizophrenia, and #Vanlife: The Alpine Edukation of Hans Weingarter 143
- 7. #Hallstatt: Welcome to Jurassic World 161
- Bibliography 189
- Filmography 215