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171
#Hallstatt
Bosker explains, “the Chinese are less concerned with an exact
copy and more interested in replicating the aspects of the Euro-
pean or American ‘other’ they find most iconic, attractive, and
desirable” (Bosker 2013, 49), something Western architects are
sometimes unable to deliver:
Lisa Bate’s experience as an architect in China confirms Xie’s
conclusion [that foreign designers won’t design the type of
foreign architecture the Chinese want]. The Canadian, a prin-
cipal with B+H Architects, was hired to design a Canadian-
style residential development in Shanghai, Canadian Maple
Town, and recalls a major controversy with her client on how
the ‘Canadian’ theme would be made manifest: ‘The client
was insistent on a Canadian character, but we got into huge
issues on whether that meant Canadian design or theming.
They wanted something more thematic, more Disney-ish.
We tried to tell them that’s not what ‘Canadian’ is.’ (ibid., 49)
The Sound of Music and British telephone booths in Hallstatt See
may not be “Austrian” for Austrians, but after watching Raidel’s
documentary, one can appreciate the desire encapsulated in the
reference in the English-language title to “the happiness that’s
increased twofold when a couple decides to spend the rest of
their lives together” (Ungerböck n.d.). One hopes that, for the
prosperous Chinese who choose to make themselves at home in
Hallstatt See and not in the endless rows of soulless apartment
towers in its hinterland and beyond, if any in fact do, which is
a real question and the one with which I conclude the chapter,
Hallstatt See’s theming delivers on the locale’s promise of pro-
viding a breath of sorely needed fresh air.10
10 China’s legendary pollution problems can be seen in the fact that “Sogar
abgefüllte Hallstatter Luft gebe es neuerdings in Dosen zu kaufen” [“Even
cans filled with Hallstatt air are now available for purchase”] (Kazim 2018).
As noted in the section of chapter five on health resorts, Austrian alpine
air was already being sold in the nineteenth century, when “one enterpris-
ing businessman found a way to sell mountains to those who wished to see
their restorative powers outlast their visit to the Alpine town of Mariazell
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book Siting Futurity - The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna"
Siting Futurity
The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Title
- Siting Futurity
- Subtitle
- The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Author
- Susan Ingram
- Publisher
- punctumbooks
- Location
- New York
- Date
- 2021
- Language
- English
- License
- CC BY-NC-SA 4.0
- ISBN
- 978-1-953035-48-6
- Size
- 12.6 x 20.2 cm
- Pages
- 224
- Keywords
- activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna
- Category
- Geographie, Land und Leute
Table of contents
- Preface 11
- Introduction 19
- 1. (Re)Forming Vienna’s Culture of Resistance: The Proletenpassions @ #Arena 39
- 2. Converting Kebab and Currency into Community on Planet #Ottakring 57
- 3. Lazarus’s Necropolitical Afterlife at Vienna’s #Volkstheater 81
- 4. Hardly Homemad(e): #Schlingensief’s Container 101
- 5. From Grand Hotels to Tiny Treasures: Wes Anderson and the Ruin Porn Worlds of Yesterday 119
- 6. Capitalism, Schizophrenia, and #Vanlife: The Alpine Edukation of Hans Weingarter 143
- 7. #Hallstatt: Welcome to Jurassic World 161
- Bibliography 189
- Filmography 215