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181
#Hallstatt
Consideration of Mitchell’s imagology encourages us to ask
what places want, while consideration of the Chinese directs us
to the contradiction of places as living entities and as proper-
ty, and to the thus far unsatisfying results of their having been
cloned. A reviewer of Ghost Cities of China plaintively asks why,
given that the Chinese government has the power to make and
remake cities, the results are “so sad”:
Copycat “western” towns, endless Central Business Dis-
tricts, huge malls; this is urbanisation purely for quantity and
profit. Other writers have argued that certain municipali-
ties, such as Chongqing, have managed a more egalitarian
statedriven urbanisation than others, like Guangzhou, but
Shepard doesn’t explore the question. Neither does he ad-
dress the future: once the ghost cities are populated, what
next? (Hatherley 2015)
Such questions also occupy Bianca Bosko in Original Copies:
How will living in a replica of Germany or Beverly Hills af-
fect Chinese citizens and their lifestyles? Will this trend con-
tinue into the future, or is it a passing fad? How will history
treat the simulacra townships? Will the popularity of these
foreign building types choke the growth of a national, dis-
tinctly Chinese, architectural style — or will it inspire it? (Bo-
sker 2013, 18–19)
Her argument is that “it is, in part, within these communities
that the Chinese are beginning to stage sites of ‘otherness’ where
a rising middle class lays claim to economic and cultural power
and even incubates an embryonic political identity” (ibid., 4),
and she underscores that these middle classes “are only the latest
in an ancient and venerable line of borrowers from the archive
of historical architectural styles,” which includes immigrants to
the United States who, in the late nineteenth century proved “ex-
ceptionally adept at transplanting European townscapes to the
new continent” (ibid., 6). The question she does not ask about
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book Siting Futurity - The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna"
Siting Futurity
The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Title
- Siting Futurity
- Subtitle
- The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
- Author
- Susan Ingram
- Publisher
- punctumbooks
- Location
- New York
- Date
- 2021
- Language
- English
- License
- CC BY-NC-SA 4.0
- ISBN
- 978-1-953035-48-6
- Size
- 12.6 x 20.2 cm
- Pages
- 224
- Keywords
- activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna
- Category
- Geographie, Land und Leute
Table of contents
- Preface 11
- Introduction 19
- 1. (Re)Forming Vienna’s Culture of Resistance: The Proletenpassions @ #Arena 39
- 2. Converting Kebab and Currency into Community on Planet #Ottakring 57
- 3. Lazarus’s Necropolitical Afterlife at Vienna’s #Volkstheater 81
- 4. Hardly Homemad(e): #Schlingensief’s Container 101
- 5. From Grand Hotels to Tiny Treasures: Wes Anderson and the Ruin Porn Worlds of Yesterday 119
- 6. Capitalism, Schizophrenia, and #Vanlife: The Alpine Edukation of Hans Weingarter 143
- 7. #Hallstatt: Welcome to Jurassic World 161
- Bibliography 189
- Filmography 215