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Siting Futurity - The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
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194 siting futurity Didi-Huberman, Georges. 2018. “From a High Vantage Point.” Eurozine, October 12. https://www.eurozine.com/high- vantage-point/. Dilley, Whitney Crothers. 2017. The Cinema of Wes Anderson: Bringing Nostalgia to Life. New York: Wallflower Press. Dössel, C. 2010. “Der Himmel kann warten.” Süddeutsche Zeitung, May 17,. https://www.sueddeutsche.de/ kultur/schlingensief-mea-culpa-der-himmel-kann- warten-1.400580. Dunst, Martin. 2012. “Die Welt staunte über ‘Wunder von Wörgl.’” Nachrichten.at, February 11. http://www. nachrichten.at/nachrichten/chronik/Die-Welt-staunte- ueber-Wunder-von-Woergl;art58,815968. Dyer, Richard. 2015. “Jurassic World and Procreation Anxiety.” Film Quarterly 69, no. 2 (Winter): 19–24. DOI: 10.1525/ fq.2015.69.2.19. Ebert, Reika, and Ann Beck. 2007. “‘Kebab Connection’: Tragic and Comedic Explorations of Contemporary German- Turkish Relations.” Colloquia Germanica 40, no. 1: 87–98. https://www.jstor.org/stable/23981920. Ebner, Paulus, and Karl Vocelka. 1998. Die zahme Revolution: ’68 und was davon blieb. Vienna: Wirtschaftsverlag Ueberreuter. Eckhardt, Stephanie. 2018. “Wes Anderson Would Like to Show You Some Treasures with His New Exhibition.” W Magazine, November 10. https://www.wmagazine.com/ story/wes-anderson-kunsthistorisches-museum-exhibit. Eigler, Friederike. 2012. “Critical Approaches to ‘Heimat’ and the ‘Spatial Turn.’” New German Critique 39, no. 1 : 27–48. DOI: 10.1215/0094033X-1434497. Eigler, Friederike, and Jens Kugele, eds. 2012. Heimat: At the Intersection of Memory and Space. Berlin: Walter de Gruyter. Eschenburg, Madeline. 2014. “Artificial Hells: A Conversation with Claire Bishop.” Contemporaneity: Historical Presence in Visual Culture 3: 175–78. DOI: 10.5195/contemp.2014.113. “Exklusiv-Talk mit Bürgermeister Alexander Scheutz (Hallstatt).” Brandworks-Studios.com, July 25, 2014.
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Siting Futurity The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
Title
Siting Futurity
Subtitle
The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
Author
Susan Ingram
Publisher
punctumbooks
Location
New York
Date
2021
Language
English
License
CC BY-NC-SA 4.0
ISBN
978-1-953035-48-6
Size
12.6 x 20.2 cm
Pages
224
Keywords
activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna
Category
Geographie, Land und Leute

Table of contents

  1. Preface 11
  2. Introduction 19
  3. 1. (Re)Forming Vienna’s Culture of Resistance: The Proletenpassions @ #Arena 39
  4. 2. Converting Kebab and Currency into Community on Planet #Ottakring 57
  5. 3. Lazarus’s Necropolitical Afterlife at Vienna’s #Volkstheater 81
  6. 4. Hardly Homemad(e): #Schlingensief’s Container 101
  7. 5. From Grand Hotels to Tiny Treasures: Wes Anderson and the Ruin Porn Worlds of Yesterday 119
  8. 6. Capitalism, Schizophrenia, and #Vanlife: The Alpine Edukation of Hans Weingarter 143
  9. 7. #Hallstatt: Welcome to Jurassic World 161
  10. Bibliography 189
  11. Filmography 215
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