Page - 211 - in Siting Futurity - The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna

211 bibliograpHy Verstraten, Peter. 2016. “Multicultural Comedies.” In Humour and Irony in Dutch Post-war Fiction Film, 83–111. Amsterdam: Amsterdam University Press. Vogel, Sabine R. 2006. “Schlingensief at Burgtheater.” Translated by Sara Digger. Schlingensief, May 12. http://www. schlingensief.com/weblog/?p=110. “Volkstheater (Wien).” 2018. Wikipedia. https://de.wikipedia. org/wiki/Volkstheater_(Wien). “Wahlzeitung.” 2015. Bürger für Hallstatt. http://www. bfhallstatt.at/wahl-2015/wahlzeitung/. Walzer, Michael. 1997. On Toleration. New Haven: Yale University Press. Wammerl, Patrick. 2017. “Semmering: 17 Festnahmen im Grandhotel.” Kurier, October 7, 2017. https://kurier.at/ chronik/niederoesterreich/semmering-17-festnahmen-im- grandhotel/290.386.584. Weidinger, Leonhard. 2012. “Arena Forever – Einen Sommer lang.” In Besetzt: Kampf um Freiräume seit den 70ern, edited by Martina Nußbaumer and Werner Michael Schwarz, 96–101. Vienna: Czernin Verlag. Weingartner, Hans. “Interview mit Hans Weingartner über sein unheimliches Psychodrama ‘Die Summe meiner einzelnen Teile.’” Interview by Klaus-Peter Eichele. Neckar- Chronik. February 7, 2012. https://www.neckar-chronik. de/Nachrichten/Interview-mit-Hans-Weingartner-ueber- sein-unheimliches-Psychodrama-Die-Summe-meiner- einzelnen-164134.html. Weiss, Kirsten. 2001. “Recycling the Image of the Public Sphere in Art.” Thresholds 23 (Fall): 58–63. http://www.jstor.org/ stable/43866491. “Wes Anderson — Opening Speech — Spitzmaus Mummy in a Coffin and Other Treasures.” YouTube, January 8. https:// www.youtube.com/watch?v=NOZjpsTNmQ4. Widrich, Mechtild. 2013. “The Informative Public of Performance. A Study of Viennese Actionism.” TDR: The Drama Review 57, no. 1 (Spring 2013): 137–51. doi: 10.2307/23362799.