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Images of the Muslim Woman |
105www.jrfm.eu
2016, 2/1, 91–110
Muslim organisation represented their views, and 75 per cent held that there was
more diversity and disagreement within the Muslim population than other people re-
alised.51
Yet by then the money, resources, and support these Islamist organisations had
received from the British government, in addition to those flowing from the Gulf
States, had helped them create a plethora of educational, religious, and charitable
institutions. They had the tools to spread their own vision of political Islam among
the members of their communities. Most importantly, they helped create what I call
“closed communities”, like the one in which Leila lives, patriarchal power structures
that exercise social control over their members and intimidate those who reject their
designated social rules. Leila wears a veil not because she wants to, but because she
has to. She does not dare to come out as either a lesbian or an atheist because she
knows that she will be made to pay dearly for such an act of rebellion against the way
a proper Muslim woman is supposed to behave.
I am quite certain that Taylor did not know where his ideas would take him. He said
it was possible that the rights of individuals would be restricted by the state’s aim of
safeguarding collective goals, but he did not expect that people would either invent
a community or violate its members’ fundamental human rights. Sadly, this is exactly
the outcome of his theoretical approach, which ignores the political and social con-
texts of what it describes and therefore fails to take account of the mechanisms and
institutions that either sustain or alter an identity and its cultural traits.
TIME FOR A PARADIGM SHIFT
Context matters! Context matters in highlighting how a single Muslim identity has
been constructed. It is context that shows how complex and diverse Leila’s identity
is, and why she wears a headscarf even though she is an atheist. Yet the essentialist
paradigm seems to ignore this very context with all its accompanying power and pa-
triarchal structures, political and social factors, and roles played by both the state and
fundamentalist Islam in constructing a homogeneous Muslim identity and with it the
Muslim Woman and her dress code.
The diversity of reasons why women wear the veil does not negate nor eliminate
the essential role played by fundamentalist Islam – defined here as a “political move-
ment of the extreme right, which manipulates religion in order to achieve its political
aims”52 – in mainstreaming the idea that the veil is part of Islamic religious identity and
in constructing the Muslim Woman and her obligation and/or right to wear the veil,
as we only started to hear in the late 1970s. In countries where Islamists are in power,
the veil is imposed by force, regardless of whether the woman wants to wear it. This
51 Mirza/Senthikumaran/Ja’far 2007, 6.
52 Marieme Hèlie-Lucas’s definition, quoted in Bennoune 2013, 14.
JRFM
Journal Religion Film Media, Band 02/01
- Titel
- JRFM
- Untertitel
- Journal Religion Film Media
- Band
- 02/01
- Autoren
- Christian Wessely
- Daria Pezzoli-Olgiati
- Herausgeber
- Uni-Graz
- Verlag
- SchĂĽren Verlag GmbH
- Ort
- Graz
- Datum
- 2016
- Sprache
- englisch
- Lizenz
- CC BY-NC 4.0
- Abmessungen
- 14.8 x 21.0 cm
- Seiten
- 132
- Kategorien
- Zeitschriften JRFM