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escaping to Galilee. There he starts gathering disciples, baptizing them with the
mysterious âwaters of Boletâ, which prevent their hair from growing, so that
they can be recognized as âJesusâ menâ â an evident pun on the clerical ton-
sure. In the course of their adventures, Jesus and his closest disciples get lost
in the desert. Starving and exhausted, they have to beg for water and bread.
The people they come across mock the pretended wonder-maker who cannot
âdo a miracle to save [him]self and to find waterâ. A man asks Jesus to dance in
exchange for some bread as well as his donkey â and Jesus complies. At every
stage of his career, Jesus thus appears as a pitiable loser, eliciting more ridicule
and scorn than admiration.
Consider the following episode, where Jesus, Peter and Judas eventually find
a hostel in the middle of the desert and ask the hostess for food:
The landlady said, âI do not have anything but a roast goose.â Jesus took the goose,
put it before them, and said, âThis goose is not enough for three people. Let us go to
sleep and the one who will dream a good dream shall eat the goose.â They lay, and
at midnight Judas rose up and ate the goose. They rose up in the morning and Peter
said, âI dreamed that I sat near the throne of the son of God Almighty.â And Jesus
said, âI am the son of God Almighty, and I dreamed that you were sitting with me,
and look, in my dream, I am better than (you in) yours, so the goose is mine to eat.â
And Judas said, âI, in my dream, ate the goose.â Jesus looked for the goose and did
not find it because Judas had eaten it.47
It is difficult not to read this episode as a joke. Yet it aroused the ire of the pious
editor of the text (i.e. Huldreich), who in all seriousness commented: âThis fable
is utterly inept and worthy of its [anonymous] authorâ, who thus turned the
New Testament account of the feeding of the many into a âtasteless story in
which it is figured that Jesus was not even able to quench the hunger of three
men with a whole gooseâ.48
CONCLUSION: REPLACING TOLEDOT YESHU IN ITS CONTEXTS
For all its mockery and wit, Toledot Yeshu does offer a serious attack on the
Christian myth, and on the fundamental tenets of Christianity. Mockery is in-
deed a powerful form of polemic. The conception narrative thus rebuffs the
claim that Jesus was the son of God born from an unsullied virgin. The descrip-
tion of his would-be miracles as mere magical tricks denies his alleged divine
47 Meerson/SchĂ€fer, Toledot Yeshu, vol. 1, 312 (English) and vol. 2, 245â246 (Hebrew), and see the refer-
ences in vol. 1: 38, 36n: the episode is inspired by the medieval Gesta Romanorum. Huldreich translates
the âgooseâ (here written ŚŚŚŚŚ) by anserculus, âgosling,â which would indeed make more sense in the
context.
48 Huldreich 1705, 53â54, 1n.
Some Remarks on Toledot Yeshu |
39www.jrfm.eu
2019, 5/1
JRFM
Journal Religion Film Media, Band 05/01
- Titel
- JRFM
- Untertitel
- Journal Religion Film Media
- Band
- 05/01
- Autoren
- Christian Wessely
- Daria Pezzoli-Olgiati
- Herausgeber
- Uni-Graz
- Verlag
- SchĂŒren Verlag GmbH
- Ort
- Graz
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC 4.0
- Abmessungen
- 14.8 x 21.0 cm
- Seiten
- 155
- Kategorien
- Zeitschriften JRFM