Seite - 123 - in JRFM - Journal Religion Film Media, Band 05/01

BIBLIOGRAPHY Aitken, Stuart C. / Zonn, Leo E., 1994, Place, Power, Situation and Spectacle: A Geography of Film. Lanham, Maryland: Rowman & Littlefield. Fahlenbrach, Kathrin, 2009, Embodied Spaces: Film Spaces as (Leading) Audiovisual Metaphors, in: Anderson, Joseph D. / Anderson, Barbara Fisher (eds.), Cambridge: Cambridge Scholars Pub- lishing, 105–121. Hopkins, Jeff, 1994, A Mapping of Cinematic Places: Icons, Ideology, and the Power of (Mis) Rep- resentation, in: Place, Power, Situation and Spectacle: A Geography of Film, Lanham, Maryland: Rowland & Littlefield Publishers, 47–65. Isin, Engin F. / Nielsen, Greg M., 2008, Acts of Citizenship, London: Zed Books. Jacobson, Brian R., 2005, Constructions of Cinematic Space: Spatial Practice at the Intersection of Film and Theory, Cambridge, Massachusetts: MIT Department of Comparative Media Studies, https://dspace.mit.edu/handle/1721.1/39189 [accessed 08.11.2018]. Jameson, Frederick, 1995, The Geopolitical Aesthetic: Cinema and Space in the World System, Bloomington, Indiana: Indiana University Press. Marković, Slobodan, 2012, Components of Aesthetic Experience: Aesthetic Fascination, Aesthetic Appraisal, and Aesthetic Emotion, Iperception, 3.1, 1–17. Peleg, Yaron, 2016, Directed by God: Jewishness in Contemporary Israeli Film and Television, Austin, Texas: University of Texas Press. Plate, S. Brent, 2017, Religion and Film: Cinema and the Re-Creation of the World, New York: Colum- bia University Press, 2nd ed. Radovic, Milja, 2017, Film, Religion and Activist Citizens: An Ontology of Transformative Acts, New York: Routledge. Romney, Jonathan, 2000, Amos Gitai: The Forbidden Zone, Guardian, 21 July. Shohat, Ella, 2010, Israeli Cinema: East/West and the Politics of Representation, London: I. B. Tauris. Shohat, Ella, 2017, Israeli-Palestine On the Arab-Jew, Palestine, and Other Displacements: Selected Writings, London: Pluto Press. Sobchack, Vivian, 2004, Carnal Thoughts: Embodiment and Moving Image Culture, Berkeley, Califor- nia: University of California Press. Talmon, Miri, 2013, A Touch Away from Cultural Others: Negotiating Israeli Jewish Identity on Tele- vision, Shofar 31.2, West Lafayette, Indiana: Purdue University Press. Tobias, Benjamin, 2018, The Periphery Festivals, Yedioth Ahronoth, 1 July, https://www.yediot.co.il/ articles/0,7340,L-5321137,00.html [accessed 08.11.2018]. Yadgar, Yaacov, 2017, Sovereign Jews: Israel, Zionism, and Judaism, New York: SUNY Press. FILMOGRAPHY Ana Arabia (Amos Gitai, IL/FR, 2013). Geula (Redemption, Joseph Madmony / Boaz Yehonatan Yacov, IL, 2018). Ha-Mashgihim (God’s Neighbours, Meny Yaesh, IL 2012). Kadosh (Amos Gitai, IL/FR, 1999). Makom be-gan eden (A Place in heaven, Joseph Madmony, IL 2013). West of the Jordan River (Amos Gitai, IL/FR, 2017). Constructing Space, Changing Reality of Israel through Film | 123www.jrfm.eu 2019, 5/1