Seite - 37 - in JRFM - Journal Religion Film Media, Band 06/01

Kickasola, Joseph, 2013, Leading with the Ear: Upstream Color and the Cinema of Respiration, Film Quar- terly 66, 4, 60–74. Klosterman, Chuck, 2009, Eating the Dinosaur, New York: Scribner. Koehler, Robert, 2013, Leaping and Looping with Shane Carruth, Cinema Scope, 54, 11–15. May, John R. / Bird, Michael (eds.), 1982, Religion in Film, Knoxville: University of Tennessee Press. Mayward, Joel, 2013, Upstream Color, Cinemayward, 22 April, http://cinemayward.com/review/up- stream-color/ [accessed 24 April 2019]. Mayward, Joel, 2017, Darren Aronfsky’s mother! and Cinematic Parables, Transpositions, November, http://www.transpositions.co.uk/darren-aronofskys-mother-cinematic-parables/ [accessed 5 May 2019]. Mayward, Joel, 2019, The Borders of Wakanda: Otherworlding, Immigration, and Alterity in Black Pan- ther as Cinematic Parable, ARTS 30, 2, 54–71. Pape, Stefan, 2019, Shane Carruth on The Dead Center and why he’s quitting film for good, The Hot Corn, 10 October, https://hotcorn.com/en/movies/news/shane-carruth-on-the-dead-center-and-why-hes- quitting-film-for-good/ [accessed 28 February 2020]. Rafferty, Brian, 2013, Buckle your Brainpan. The Primer Director is Back with a New Film, Wired, 19 March, https://www.wired.com/2013/03/primer-shane-carruth/ [accessed 24 April 2019]. Rambo, Shelly, 2010, Spirit and Trauma. A Theology of Remaining, Louisville: Westminster John Knox. Ricoeur, Paul, 1975, Biblical Hermeneutics, Semeia 4, 29–148. Ricoeur, Paul, 1978, Listening to the Parables of Jesus, in: Reagan, Charles E. / Stewart, David (eds.), The Philosophy of Paul Ricoeur: An Anthology of His Work, Boston: Beacon Press, 239–245. Ricoeur, Paul, 1981, The “Kingdom” in the Parables of Jesus, Anglican Theological Review 63, 2, 165–169. Ricoeur, Paul, 1984, Time and Narrative, vol. 1, McLaughlin, Kathleen / Pellauer, David (trans.), Chicago, University of Chicago Press. Ricoeur, Paul, 1988, Time and Narrative, vol. 3, Blamey, Kathleen / Pellauer, David (trans.), Chicago, Uni- versity of Chicago Press. Ricoeur, Paul, 1992, Oneself as Another, Blamey, Kathleen (trans.), Chicago: University of Chicago Press. Ricoeur, Paul, 1995, Figuring the Sacred. Religion, Narrative, and Imagination, Pellauer, David (trans.), Wallace, Mark I. (ed.), Minneapolis: Fortress Press. Shulman, Polly, 2004, Mad Math. Bending Time With ‘Primer’ Director, New York Times, 19 October, https://www.nytimes.com/2004/10/19/movies/mad-math-bending-time-with-primer-director.html [accessed 24 April 2019]. Sobchack, Vivian, 1992, The Address of the Eye. A Phenomenology of Film Experience, Princeton: Prince- ton University Press. Tarkovsky, Andrei, 1986, Sculpting in Time. Reflections on the Cinema, Hunter-Blair, Kitty (trans.), Austin: University of Texas Press. Wright, Melanie, 2007, Religion and Film: An Introduction, London: I. B. Tauris. Filmography Black Panther (Ryan Coogler, US 2018). Coherence (James Ward Byrkit, US/GB 2013). mother! (Darren Aronofsky, US 2016). Primer (Shane Carruth, US 2004). Stalker (Andrei Tarkovsky, USSR 1979). Stranger Than Fiction (Marc Forster, US 2006). Upstream Color (Shane Carruth, USA, 2013). 36 | Joel Mayward www.jrfm.eu 2020, 6/1, 17–36